Souvenir illustrated catalogue of the first loan collection of British contemporary art

: 1 A R T I N 1 L \ R I ) I E, R. 1., R E . H. S. H O P W O O D. P o r n I 0)11(1011, 1 7 5: k e e p e r o f t h e 1) e p aiti u eiit s o f P aiiitiii g s a n d 1 0 2 . T i l l W H I T E U , \ R N D r at'iii g Lit e r a viii e s, I h o st r ati o n ni d I ) e si gii, at t h e Vi ct o ri a t ui d Al h e rt t e n t li v E r n e st it ar sli Es(!. I n s e uiii, L o n d o n i i o i . S e c. o f t h e L o c a l S o ci et y o f P ai nt e r - Iff cii ers Itil d (; r a v ei s m e m b e r o f t h e L o c al I ii stit ut e o f P ai nt e r s i n W at er- c ol o u r s o n t h e C oiiiiiiitt e e o f t h e R nii)ir e A r t 10)1111 C oll e cti o n s S o ci et y I S r e l ) r e s e n t 1 m r t h e V i c t o r i a 111(1 ii) ei t R e p r e s e nt e d i n ni il\ I ntisii (iI ei i e s 111(1 i n C h - c a , ) - c ) , i C l i ( 0 n 1 i e t c . f l iii 1) 1 1 1 \ _ \ vi Iiir c, i n 6 p P ailli c r a l l d et CIl Ci 5. C l I O ( ( 1 . \ \ I N G , J ) ' a c i u j \ Y R S i l l R E Oil ( i , e n t b y F r a n ci s L. h e r , F r j. ) ' - SIT I L e st li v .\ rtii n r Ka y, C A l R L I C I - I A R I A R , X. E. A. C. t or n l i i \ \ e viii o ntii. St u di e d i t t h e S h a d e S c h o ol. nl(l is o n e o f t h e R. I Ii L E E, i el oliii I triti sii i v ol n eli p ai nt e r s. I s r e p r e s e nt e d iii t h e G all e ri e s ()f 1 4 1 f sI 11111)111 ii (iii I 1\ e 11(i) 1 A 1 a n c l i c s t c r , a l l ( l I ) t l i ) t l l ( \ I i i ) [ 0 4 1 1 1 1 1 \ 1 \ i Ut i t i S i l i i ) i t 5 at t h e R o y al .\ e a d eiii v, S al o n, 1111(1 dl t h e pri n ci p al e xlii oiti oii s. ( L e n t b y l i n g l i iil al s ei, Es0.) L. Clii I hi h E T, E N l O O R Oil t l. r n t b e t h e ( ' ( " o i r i o p o r a r y \ i 5n1lsi\.) 1. 1). i N N E S (i 8 8 7- 1l 4). \ I F R E I) R O I F R T 1 I \ \ \ \ \ ) j) \ [ \ ( B o r n a t Ll aii eil y o f C at al a n d e s c e nt o n i ns ni t h e r s si d e: st u di e d i t t h e Sl a d e Se hl() 1 uiiiiiii., e hi ol I liii) a n d p r i z e . 1 l / e P ai nt e d fiii s oil I ( l i i i I 0 1 1 ( i o i i 7 St u( 1 1( (1 i t S o u i i i I\ C 1 1 ii ht oii tii(l t h e Si i d e ell uiti et c h e d ti oi ui o d c P e(i Hi _')-r e a t i t a b i l i t y 1 1 iii ti ( 1 1 1 1i) ihit\ S c h 0(11. P:t u ui t e r o f p ort r a n t s a n d Ia n (ls e a p es, a n d d e c o r at o r. e x e r ci s e d s t r o i l E iii tl u e n c e on h i s v a u i i g e r c o n t e m p o r a r i e s hi s hil) 1 1 h e pi es e il t e d i l l t h e I it e ( til e 1 5 I m p eri al W a r M u s e u m, 1 i u h i t o i i s c i p e s i s c i e p m i t e ii i n S o u( h \ \ li e ni d l at e i o ut til e \ Ic tli [ C i i ill S iii h ri st c h n r cii, a n d J o h ailil e s ht' E. sl o p e s (if t h e P v r e u e e s. E x hi hit e d c hi efl y at t h e e w L u g hi s hi Art — 5 1 ' \ ' i n r . hti h : r e p r e s e nt e d in the T a t e G all er y. o . I . i i . i Di(1 K'1119 1 c i t 1 J I I i i o Ill \ l ( ) N ] " \ 1 N I \ K i Oil ( L e nt b y T h e R 1 . 1 1 0 1 1. T h e h ail of Sa n d wic h.) E L S I C M. II E N 1) E R S O N. S c ul pt o r, iit hl o( er ai)il er, ciii r e c oil n d p e n cil a rti st. H a s e .\...... t h e R o y a l \ e ( ( l 1 i l \ 111(1 L ei c e st e r ( di e ui 11 E C U a t C I C j 0 1 1 \ R \ R P F L 9 8 . 1. G( I A R I ) S I ) R I N K N C Lit h o g r a p h fl orii i 5 7 5. St u di e d a t til e S h a d e S c h o ol. A L A . i p a u: R. A. T heft ( lii C a m p b e l l . ) . I e ci u: d h v \ ve hl k n o \ v l l a s p o r t r a i t a n d ( l e c o r a t i v e p a i n t e r a ui(l et c h er. i t . a n b ell U U . L i . . C. B. I s.) L x hii hiits at t u e R o y al .\ c: ol e nl v. 111(1 m o st e x hii hiti o n s o f c ollt ellll) O r a r Y I triti s hl a r t i n I f n gl a u d a n d t h U mi. I e x e c ut e(l a c ar h) c ul f o r t h e SIR C I I \. RI F I-I ( ) I I I S \ I \. ( \ P V\ ( t n o h i n n i i s 1 1 1 0 1 i t ui d u also u s pi s s e i t s (1 1(5 1 C 1 (((( 1 1 1 111 this - - . . - ' . \ . . S . i o n:(l G all e r y o f I r e h aii'l. Hi s ' S mili n g \ V o m a n, " :ill d M a d a m e L a t I)i n i P r e i tii d Ii i l l s o w n i i 0 1 1 1 h a d it o t i t t r 11111110 S u i i t I e i t the Tate C oli c 1 5 I ntl other works have ben t s q ui r e(l c \ c e l ) t cll e (l tll i F r i l i e l i t f i ( i i i Charles Ricketts, C II S h tiiii oii t ui d 1)5 ti c I ut cis 11,iuii Iti e t n i ( C iii hi l d e ) .1 IC us al s() re prese nte d Willi a m 1111 S t r a n g . 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( L e n bi t b y ( I. ( i c k u i i s i , h o i . ) , N Di- a'z ciii g . C. A C . 1 0 1. H I. \ A! J I X O F S T. j( ) 11 N' S J ) rtif ci/ u/ 1 1 0. e\ i R I S II GI R T. (l. el t t b y F r a n ci s 1. M e r r y, E s i . ) ( L e nt t o H u g h l l t a k c r , [s q.) ( u 8 ) ( 1 9)