The war at sea: a series of paintings by Norman Wilkinson.

11111 ' s \ \ ' S P A R T I N I FIE 1 1 ) 1112. \ i c e - diniral \ i i I ' S flag- I N VAS I O N s I i i i S(11(I. I lie group o f f ) i ( t t i l e S of the it- \ a s i O i i o f N o r i n a i l ( l v ate from s k e t c h e s I A)4.1 4.111ieSWCef)CiS S W C C P 1110 m a d e by the a r t i s t x v i l o W a s f ) l e S e i l t a h e a ( l o f d e s t r o y e r s . Early i n t h e d e s t r o y e r ,/cn'is on l)-l)av and morn ilig 1)-Day. f o r s o t i i e d a y s s t i l ) S ( ( f t t e i t t I)'. L I ) 4201. Ab e toad to) NOi'iliail(lV. 1 , 0 1 3 P - J t i n e 6th. L a u d i n g Craft go- I I) 4196. i r i r Lirt-Lixi. 1110-All to the beaches. I h e p r e s e n t war has again demon- St r a t e d i n m o r e d r a m a t i c f a s h i o n than cvcr h e l o r e t h a t t h e key t o our 1 1 ) 1 2 9 . D e s t r o y e r s bonibardino - • • h n a t i o n a l e x i s t e n c e is s e a power. s h o r e b a t t e r i e s . L a n d mo ( r a f t waiting, lting, t o g o ill. t h e s u b m a r i i i e , o n which the e n e m y b a s e d h i s h o p e s o f c u t t i n g r ou life-line, brought many anxious 1110- 1,1)If) 4341. Air r a i d on t he in(hiorage. nients. Ha d numbers of heavily F l a k go i ng t i p . a r m e d s u r f a c e vessels l)een a d d e d to this menace ou r channels of supply both of 100(1 and weapons from L i ) 2 2 . llodlle)' a nd I I'aispilc Ii-- a b r o a d would h a e been ceaselessly i n g o n inshore targets. h a r a s s e d a n d p o s s i b l y closed. N e i t h e r h e r o i sm , sell-sacrifice, nor h a r d work could have saved us had I I) f 2 5 . Rod / I c ) ' s t e a m i n g through t h i s o n e factor of o v e r w h e l m i n g sea I l i e a n c h i o l - a g e . power b e e n al)scilt.