Unesco travelling print exhibition: Leonardo Da Vinci

3 0 . C C X X X V I I I I. Study o f a Woman's Head. Metropolitan Museum, New York. Corresponds with the head o f the Virgin in the painting o f the G R O U P III Virgin and Child with St. Anne in the Louvre. II. Composition Study f o r the Virgin and Child with St. Anne, Acca- demia, Venice. 37. xxxvii Hanged Corpse o f Bernardo Baroncelli. Musée Bonnat, Bayonne. Represents a n early stage in the composition, probably about 1503. Baroncelli was1executed on 29 D e c e m b e r 1479. 31. ccxxxix I. Composition Sketches f o r the Virgin and Child with St. Anne. British 38. CLXXXXVIII Study f o r the Last Supper and !vlathematical Figures and Calculations. Museum, London. Royal Library, Windsor Castle. For the version o f the composition represented b y the cartoon in Early sketch for the fresco in the Refectory of Sta. Ma r i a delle the Royal Academy, London. Grazie, Milan, printed by Leonardo a b o u t 1495-97- 11. Composition Sketch f o r the Virgin and Child with St. Anne. Louvre, Paris. 39. c c - I. Head o f an Apostle. Royal Library, Windsor Castle. Represents some stage in the preparation o f the cartoon o f the 11. Head o f an Apostle and Study o f Architecture. Royal Library, subject in the Royal Academy, London. Windsor Castle. No. I is for the head of St. Philip a n d No. I I for that o f St. James 3 2 . c c x x x v I. Studies o f a Nude Man, o f Architecture and Writing. Royal the Greater in the Last Supper. Library, Windsor Castle. T h e figure is a free version o f Michelangelo's statue o f David, a n d 4 0 . C L X V I I. Study o f a Horse. Royal Library, Windsor Castle. was probably made in connexion with the composition o f Neptune II. Five Studies o f Horses and Riders. Royal Library, Windsor Driving his Sea-horses d r awn for Antonio Segni. Leonardo was one Castle. Both sheets are for the Trivulzio mo n ume n t a n d date from about o f a Committee summoned in 1503 b y the Government o f Flo- rence to decide where this statue should be set u p a n d the drawing 150811. no doubt dates from about this time. I I . Profile o f an Old Man. British Museum, London. 41. c c x x v i I. Horseman Trampling on a Fallen Foe. Royal Library, Windsor T h e head is on the back o f the sheet with composition studies for Castle. the Virgin and Child with St. Anne. I I . Study f o r an Equestrian Statue and its Base. Royal Library, Windsor Castle. 33. ccxxxvii I. Head o f a Woman Looking Down to the Right. Royal Library, No. I is a study for the Sforza monument, No. I I for the Windsor Castle. Trivulzio monument. II. Head o f a Woman Turned Three-quarters to the Left. Royal Library, Windsor Castle. 4 2 . C C L X X V I I I. Study o f a Horse. Royal Library, Windsor Castle. No. I is a study for the h e a d o f St. Anne in the Louvre painting II. Study o f a Horseman. Royal Library, Windsor Castle. Both drawings appear to be studies for the Trivulzio monument, o f the Virgin and Child with St. Anne, No. I I ma y b e a study for her head in some other composition o f the same subject. 150811. 34. c c x x x x I. Drapery Study. Royal Library, Windsor Castle. 43. CCLXXV I. Study f o r an Equestrian Statue and its Base. Royal Library, II. Drapery Study. Royal Library, Windsor Castle. Windsor Castle. I I I . Drapery Study. Royal Library, Windsor Castle. II. Studies f o r an Equestrian Statue and its Base. Royal Library, IV. Drapery Study. Royal Library, Windsor Castle. Windsor Castle. All four drawings are studies for details o f drapery in the Louvre Both drawings appear to be studies for the Trivulzio monument, painting o f the Virgin and Child with St. Anne. 150811. 35. ccxxxxi I. Drapery Study. Royal Library, Windsor Castle. cci.v I. Study o f an Angel, o f Horsemen and Horses and o f Machinery. I I . Drapery Study. Royal Library, Windsor Castle. Royal Library, Windsor Castle. I I I . Arm and Sleeve. Royal Library, Windsor Castle. II. Studies o f a Man Despatching his Foe. Accademia, Venice. All three drawings are studies for details o f drapery in the Louvre T h e horsemen a n d horses on No. I a n d the three groups on No. II painting o f the Virgin and Child with St. Anne. are for the Battle o f Ang/tiari. IV. Body and Arms o f a Child. Royal Library, Windsor Castle. Study for the Infant Christ in the same painting. 45. CCL I. Horses and Horsemen in Combat. Royal Library, Windsor Castle. 36. ccxxxv, The Virgin and Child with St. Anne. Royal Academy, London. I L Horsemen with Pennants Advancing from the Left. Royal Library, Cartoon for a painting (differing) from the picture in the Louvre, Windsor Castle. which Leonardo never apparently carried further. I t constitutes Both sheets o f studies are for the Battle o f Anghiari, 1503-4- a n earlier version. '4 15