Unesco travelling print exhibition: Leonardo Da Vinci

46. CCLVII Profile o f a Man and Studies o f Horsemen. Royal Library, Windsor Jr 7. CCLXXXXI I. Man. Royal Library, Windsor Castle. Castle. I f . Nude Man. Royal Library, Windsor Castle. T h e horsemen are probably for the Battle o f Anghiari, 1503-4 I I I . Nude Man. Royal Library, Windsor Castle. b u t the head a n d the writing are o f earlier date. IV . Horse and Rider. Royal Library, Windsor Castle. V . An Old Man Seated and Studies q f Swirling Water. Royal 47. CCLII I. Galloping Horsemen and other Figures. Royal Library, Windsor Library, Windsor Castle. Castle. T h e old m a n in No. V has been regarded as a portrait o f himself Apparently studies for the Battle o f Anghiari, 1503-4. b y Leonardo, contemplating the swirling water, which h a d so I I . Volcanic Eruption among Rocks: Uprooted Tree and Figures. great a n interest for him. Royal Library, Windsor Castle. These drawings are connected with Leonardo's studies o f floods 58. CCLXXIX Neptune Driving his Sea-horses. Royal Library, Windsor Castle. a n d cataclysms. T h e drawing, dating from a b o u t 1503-4, is probably connected with a design of the subject which Leonardo ma d e for his friend 48. CCLVIII I. Head o f a Bald Man Shouting. Museum o f Fine Arts, Budapest. Antonio Segni. I I . Head o f a Youth in Profile. Mu s e um o f Fine Arts, Budapest. g. CCLXXXVI Profile o f a Man Squared f o r Proportion. Accademia, Venice. Both heads are for the principal groups in the Battle o f Anghiari, T h e drawing, dating from about 1485-90, illustrates Leonardo's 1 5 0 3 - 4 . studies in the proportion o f the h uma n figure. 49. CCLVI I. Battle o f Horsemen and Footsoldiers. Accademia, Venice. 6o. CCLXXXI I. Four Studies o f a Man's Leg. Royal Library, Windsor Castle. I I . Two Groups o f Horsemen Fighting. Accademia, Venice. I f . Two Studies ofa Man's Left Leg. Royal Library, Windsor Castle. I I I . Studies o f Horsemen. British Museum, London. I I I . A Man's Right Leg. Royal Library, Windsor Castle. I V . Studies o f Horsemen Fighting and o f Footsoldiers. Accademia, IV. Studies o f the Lower H a l f o f a Ma n and o f Machinery. Royal Venice. Library, Windsor Castle. All four drawings are studies for the Battle o f Anghiari, 1503-4. T h e drawings illustrate Leonardo's interest in anatomy. 5 0 . CCLIII Deluge. Royal Library, Windsor Castle. Royal Library, Windsor Castle. 6 1 . t C L X X X I. Studies o f a Nude Man and a Small Sketch o f Men Fighting. O n e o f a series o f apocalyptic visions of destruction, generally by II water, which Leonardo produced during the last years o f his life. . Studies o f a Man Climbing and o f Anatomy. Royal Library, Windsor Castle. 5 1 . C C L X V I Destruction Rainedfrom Heaven on the Earth. Royal Library, Windsor I I I . Studies o f a Man seen from the Back and from the Side. Royal Castle. Library, Windsor Castle. O n e o f a series o f apocalyptic visions o f destruction, generally by IV. Study o f a Man with his Left Hand on his Hip. Royal Library, water, which Leonardo produced during the last years o f his life. Windsor Castle. T h e small sketch of me n fighting o n No. I was probably ma d e in 5 2 . CCLXII I. Deluge. Royal Library, Windsor Castle. connexion with the Battle o f Anghiari, about 1503-4. T h e studies II. Deluge. Royal Library, Windsor Castle. . o f n u d e me n o n Nos. I I I a n d I V are earlier a n d probably date F r om the series of apocalyptic visions o f destruction, generally b y from about 1490-91- water, which Leonardo produced during the last years o f his life. 53. CCLXI I. Waterfall and Crashing Rocks. Royal Library, Windsor Castle. G R O U P IV II. Deluge. Royal Library, Windsor Castle. F r om the series o f apocalyptic visions o f destruction, generally by water, which Leonardo produced during the last years o f his life. 62. CII An Allegory. Library of Christ Church, Oxford. T h e allegory appears to relate to Milan under Lodovico Sforza 54. C C L I X I. Cloudburst. Royal Library, Windsor Castle. a n d to date from about 1483-85. II. Deluge. F r om the series o f apocalyptic visions o f destruction, generally b y 63. CVII The Ermine as a Symbol o f Purity. Collection o f L. C. G. Clarke. water, which Leonardo produced during the last years o f his life. T h e ermine is said to allow itself to b e captured rather t h a n stain its purity b y taking refuge in a mu d d y lair. T h e drawing dates 55. CCLX I. Deluge. Royal Library, Windsor Castle. from about 1494- 11. Cloudburst. Royal Library, Windsor Castle.. F r om the series o f apocalyptic visions o f destruction, generally b y 64. CCXI Nine Caricatures o f Men and Women. Chatsworth. water, which Leonardo produced during the last years o f his life. 65. CCXXII Five Grotesque Heads. Royal Library, Windsor Castle. 56. C C I V I. Head and Shoulders o f a Bearded Man. Notes and Ornaments. Royal Library, Windsor Castle. 66. CCLXXI I. Ma n Engaged in Agricultural Pursuits. Royal Library, Wind- II. Study f o r an Apostle. Fodor Museum, Amsterdam. sor Castle. 16 17