Loan paintings from Brisbane private collections

PASSMORE, JOHN RAGLESS, MAXWELL, 1901 Australian School. Studied with Julian Ashton a nd studied abroad f o r ma n y Australian .School. Bo r n in South Australia. P r ima r i l y a landscape painter. years. Influenced b y F r e n c h Post-Impressionist painters, especially Cezanne. H e is almost entirely self-taught, a n d his wo r k is characterised b y vigorous Re t u r ned t o Sydney a nd now teaching a t t h e Julian As h t on School. handling a n d a good sense o f colour. Wo r k s i n b o t h oil a nd wa t e r colour. Awarded Crouch Memorial Prize, Ballarat, 1944; landscape prize, F e r n Tree 143. COMPOSITION (Oil). Le n t by Mr. and Mrs. Cohn Bednahl. Gully, Victoria, 1945 ; Bendigo A r t Gallery Prize, 1945. Employed on camouflage work a nd also a s a n official a r t i s t t o record t h e Australian war effort. Represented i n principal Australian galleries. 148. T H E BLUE POOL (Wa t e r colour). L e n t b y t h e Most Reverend Arch- POYNTER, SIR EDWARD JOHN, BART., G.C.V.O., 1836-1919 bishop Duhig. British School. Bo r n in Paris, where h e studied und e r Gleyre. I n 1854, i n 149. TREES BY T H E R I VER (Oil). L e n t b y Mr. W. B. Campbell. Rome, h e me t Lo r d Leighton, who g r e a t l y assisted him. H e continued working 150. WATERHOLE, ARKAROOLA (Wa t e r colour). L e n t b y Mrs. R Schureck. in Pa r i s until 1860, when h e settled i n London. I n 1871 wa s appointed Shade Professor o f University College, London, a n d in 1876 Director f o r A r t a n d 151. T H E WH I TE ROAD (Oil). Le n t b y Dr. and Mrs. Bruce Barrack. Principal o f t h e Training Schools a t South Kensington. These positions left him so little leisure f o r painting t h a t h e resigned them. Member of t h e Royal 152. REFLECT IONS I N T H E DERWENT (Oil). L e n t b y Mr. a n d Mrs. Academy a n d President 1896-1918, when h e resigned. Historical a n d genre N. W. Lockyer. painter in oil a n d wa t e r colour. Represented in t h e T a t e Gallery and Victoria a n d Albert Museum, London. 144. ZENOBIA CAPT IVE (Oil). Exhibited a t t h e Royal Academy, 1878. READ, ARTHUR EVANS L e n t b y Mr. a nd Mrs. C. T. Rufus Australian School. A Sydney painter mainly o f s ubu r ban s t r e e t scenes in an impressionist style. 153. LIVERPOOL STREET (Oil). Le n t b y Mr. a n d Mrs. Mu r r a y Brown. JONES, PAUL Australian School. F i r s t established a reputation a s a pa i n t e r o f flowers in REES, LLOYD FREDERIC, 1895 wa t e r colour, and l a t e r painted more freely in oils. Represented in principal Australian galleries. Australian School. Bo r n Yeronga, Queensland. Pa i n t e r in oils; black-and-white artist. Trained a t t h e Technical College, Brisbane, und e r Godfrey Rivers and 145. MIXED FLOWERS (Wa t e r colour). L e n t b y Mr. a n d Mrs. Russell Ma r t yn Roberts. I n 1923-1924 travelled abroad, studying in London a t the Cuppaidge. Chelsea Polytechnic a n d in Rome. Represented i n t h e principal Australian galleries a nd a t Dunedin, N.Z. 154. GREY DAY ON MIDDLE HARBOUR (Oil). L e n t b y Mr. a n d Mrs. R. J. Donaldson. PETRUCCI, CARLO 155. PASSING STORM (Oil). L e n t b y Mr. a n d Mrs. R. J . Donaldson. Italian School. Known mainly a s a restorer of Old Masters. A painter using t h e impressionist technique. 156. T H E R E D DOOR (Oil). L e n t b y Dr. a n d Mrs. Hu g h McLelland. 146. CLOISTER O F SANTI QUATTRO CORONATI (Oil). Le n t b y Dr. and 157. T H E BAY (Oil). L e n t b y Dr. a n d Mrs. H u g h McLelland. Mrs. Felice Benuzzi. ROWELL, JOHN, 1894 P R E N T I C E , P A T R I C I A Australian School. Bo r n Melbourne. While engaged in scene painting attended a r t classes a t t h e ( t h e n ) Working-men's College. I n 1910 joined t h e National Bo r n Brisbane. Studied with William Bustard, Brisbane, and a t t h e By am Shaw Gallery School, Melbourne. I n s t r uc t o r a t t h e Ba l l a r a t A r t School, 1919-27; A r t School, London. Re t u r ned Australia 1952. Senior I n s t r uc t o r o f Pa i n t i ng a t t h e Melbourne Technical School. F i r s t winner o f t h e Crouch Prize, 1927, which h e again won i n 1937. Represented in the 147. OLD BRIDGE AT BRUGES (Oil). Le n t b y Mr. a n d Mrs. G. W. Watson. principal Australian galleries. 22 23