The 10th Asia Pacific Triennial of Contemporary Art (APT10) Catalogue

The 10th Asia Pacific Triennial of Contemporary Art 204 RUBY SWANA Amis people Taiwan b.1959 Dancer of light 2021 Aluminium foil, cellophane, hot glue, epoxy resin, clay / Installed dimensions variable / Commissioned for APT10 / Courtesy: The artist and Taiwan Indigenous Peoples Cultural Development Centre YUMA TARU Atayal people Taiwan b.1963 The spiral of life – the tongue of the cloth (yan pala na hmali) – a mutual dialogue 2021 Ramie suspended from metal threads 500 x 250cm (diam.); installed dimensions variable / Commissioned for APT10 / Courtesy: The artist and Taiwan Indigenous Peoples Cultural Development Centre MASISWAGGER ZINGRUR Paiwan people Taiwan b.1972 Dialogue – Token 2021 Kilned clinker soil and gravel / 18 parts: Installed dimensions variable The mother of conception 2021 Kilned clinker soil / 36 x 68cm (approx.) Courtesy: The artist and Taiwan Indigenous Peoples Cultural Development Centre ROCKY CAJIGAN Fontok and Kankanaey people The Philippines b.1988 Hairloom 2021 Mixed-media installation / Loom: human hair, cotton thread, gauze, wood, bamboo, acrylic glass, colonial piedras (sandstone blocks) / 1250 x 101cm / Garments: gauze, woven cotton, stainless steel, fishhooks, human hair, carved wood hands Case of Emergency (Dalican, Bontoc, Mountain Province 2616 Philippines) 2021 Synthetic polymer paint on canvas with etched acrylic glass, wooden box frame and stainless-steel fastenings / 82 x 57 x 7cm / Overall installed dimensions variable Commissioned for APT10 / Courtesy: The artist CHONG KIM CHIEW Malaysia b.1975 From ‘Banknote’ series: Banana money 2021 Tape on canvas / 120 x 240cm / Courtesy: The artist and A+ Works of Art, Kuala Lumpur Cocos (Keeling) Islands 2021 Tape on canvas / 150 x 180cm / Purchased 2021. Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art, Brisbane 0 Ringgit 2021 Tape on canvas / 120 x 240cm / Courtesy: The artist and A+ Works of Art, Kuala Lumpur From ‘Boundary fluidity’ series: Boundary fluidity #2 2008 Synthetic polymer paint and marker on tarpaulin / 240 x 180cm Boundary fluidity #3 2009 Synthetic polymer paint and marker on tarpaulin / 240 x 180cm Boundary fluidity #5 2010 Synthetic polymer paint and marker on tarpaulin / 240 x 180cm Boundary fluidity #6 2010 Synthetic polymer paint and marker on tarpaulin / 240 x 180cm Courtesy: The artist and A+ Works of Art, Kuala Lumpur Boundary fluidity 2014 Single-channel video: 16:9, colour, sound, 13:46 minutes, ed.2/5 (+2 AP) / Gift of the artist through the Queensland Art Gallery | Gallery of Modern Art Foundation 2021 / Collection: Queensland Art Gallery | Gallery of Modern Art, Brisbane Boundary fluidity #11 2015 Synthetic polymer paint and marker on tarpaulin / 240 x 180cm Boundary fluidity #12 2015 Synthetic polymer paint, marker and tape on tarpaulin / 240 x 180cm Boundary fluidity #13 2015 Synthetic polymer paint on tarpaulin with cutting / 240 x 180cm Boundary fluidity #15 2015 Synthetic polymer paint on tarpaulin with cutting / 240 x 180cm Boundary fluidity #16 2015 Synthetic polymer paint on tarpaulin / 240 x 180cm Boundary fluidity #18 2015 Synthetic polymer paint on tarpaulin with cutting / 240 x 180cm Boundary fluidity #20 2015 Synthetic polymer paint, marker and tape on tarpaulin / 240 x 180cm Boundary fluidity #22 2015 Synthetic polymer paint and tape on tarpaulin / 240 x 180cm Boundary fluidity #23 2015 Synthetic polymer paint on tarpaulin with cutting / 240 x 180cm Boundary fluidity #24 2021 Synthetic polymer paint, marker and canvas on tarpaulin / 240 x 180cm Courtesy: The artist and A+ Works of Art, Kuala Lumpur Boundary fluidity #25 2021 Synthetic polymer paint, marker and canvas on tarpaulin / 240 x 180cm Boundary fluidity #26 2021 Synthetic polymer paint, marker and canvas on tarpaulin / 240 x 180cm Boundary fluidity #27 2021 Synthetic polymer paint, marker and canvas on tarpaulin / 240 x 180cm Purchased 2021. Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art, Brisbane Boundary fluidity #28 2021 Synthetic polymer paint on tarpaulin / 240 x 180cm Boundary fluidity 2021 Tarpaulin / Two pieces: 240 x 180cm (each) Boundary fluidity (rolled) 2021 Tarpaulin / Two pieces: 180 x 15cm (diam.) (each) Courtesy: The artist and A+ Works of Art, Kuala Lumpur Boundary fluidity (rolled) 2021 Acrylic on tarpaulin / Three pieces: 180 x 15cm (diam.) (each) / Gift of the artist through the Queensland Art Gallery | Gallery of Modern Art Foundation 2021 / Collection: Queensland Art Gallery | Gallery of Modern Art, Brisbane GENEVIEVE CHUA Singapore b.1984 Artificially Intelligent 2021 Relief print on paper, laser engraved acrylic sheets / Ten prints: 45 x 41.3 x 3.8cm (each); two prints: 65.5 x 75.5 x 3.8cm (each); six sculptures: 27.5 x 39 x 20cm; 24 x 40 x 25.5cm; 32.5 x 40 x 27cm; 20 x 40 x 20cm; 31 x 39 x 33cm; 28.5 x 40 x 27.5cm / Installed dimensions variable / Produced at STPI – Creative Workshop & Gallery, Singapore / Courtesy: The artist and Singapore Tyler Print Institute / Proposed for the Queensland Art Gallery | Gallery of Modern Art Collection KAILI CHUN Kanaka Ōiwi people Hawai‘i b.1962 Uwē ka lani, Ola ka honua (When the heavens weep, the earth lives) 2021 Site-specific installation with stainless steel, plexiglass, water, digital interactive and four- channel soundscape: 20 minutes (looped) / Dimensions variable / Commissioned for APT10 / Courtesy: The artist and Aboriginal and Torres Strait Islander participants / Proposed for the Queensland Art Gallery | Gallery of Modern Art Collection I MADE DJIRNA Indonesia b.1957 Kita 2021 Strings of pumice stone, carved stone and coconut shells / Site-specific installation / Commissioned for APT10 / Courtesy: The artist List of works ALIA FARID Kuwait b.1985 In Lieu of What Was 2019 Fibre-reinforced polymer / Five pieces: 297 x 100 x 100cm; 280 x 260 x 260cm; 240 x 130 x 130cm; 255 x 123 x 123cm; 240 x 160 x 160cm / Courtesy: The artist and Portikus, Frankfurt BRIAN FUATA ARTIST Aotearoa New Zealand / Australia b.1978 DIEGO AQUILIZAN CAMERA Australia b.1994 JEREMY VIRAG CAMERA Australia b.1984 MATTHEW McGUIGAN POST-PRODUCTION Australia b.1984 DENNY RYAN CAMERA Australia b.1979 Errantucation (mist opportunities) 2021 Performance improvisations filmed at QAGOMA on 23 June, 31 August and 30 September 2021: three-channel HD video, 16:9, 15 minutes (approx.), colour, sound BRIAN FUATA ARTIST Aotearoa New Zealand / Australia b.1978 NICK DOREY ARTIST MIDWIFE Australia b.1985 Repository for an apparitional charlatan (from Errantucation (mist opportunities) 2021 Mixed-media screen, steel trollies with timber and cement dust / Dimensions variable BRIAN FUATA ARTIST Aotearoa New Zealand / Australia b.1978 NICK DOREY ARTIST MIDWIFE Australia b.1985 TODD KENNY AUSLAN SPEAKER Australia b. 2001 DENNY RYAN CAMERA Australia b.1979 Vitrines from Errantucation (mist opportunities) 2021 Single-channel Auslan HD video, 16:9, 4 minutes (approx.), colour; 360 postcards Commissioned for APT10. Purchased 2021 with funds from the Jennifer Taylor Bequest through the Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art, Brisbane With: KATHLEEN SHILLAM COLLABORATING ARTIST Australia 1916–2002 LEONARD SHILLAM COLLABORATING ARTIST Australia 1915–2005 Pelicans 1984 Polystyrene / a & b: 81 x 54 x 120cm (overall); c & d: 50.2 x 86 x 98.5cm (overall); e & f: 130 x 51 x 76cm (overall); g: 58 x 68 x 26cm / Gift of the artists 1985 HIKARU FUJII Japan b.1976 Mujō (The Heartless) 2019 Four-channel video installation with archival footage: 16:10, colour, black and white, sound, 10:29 minutes / Director: Hikaru Fujii / Director of Photography: Koichi Furuya / Lighting: Kazuya (Ryu) Kushimoto / Sound Recording, MA: Ryota Fujiguchi / Choreographer: Nanako Matsumoto / Assistant Director: Shun Sato / Interpreter: Dinh Teh Trung / Casting: Ayumi Seki / Production Manager: Natsuko Odate (Yoshiko Isshiki Office) / Archive footage: Civilian Training Center in Tainan Prefecture (1943 / 35mm film transferred to digital file, 10 minutes, black and white, sound / Collection: National Museum of Taiwan History) / Commissioned by Aichi Triennale 2019 / Courtesy: The artist and Yoshiko Isshiki Office JOYCE MARY ARASPEPA GOLE OL Orokaiva people, Oro Province Papua New Guinea b.1941 Water storage pot – woman’s face c.1983 Hand-thrown earthenware with applied decoration and natural wax / 27.5 x 33 x 31cm / Collection of Sean and Pauline Dorney, Brisbane Authentic Pot c.1996–2001 Hand-thrown earthenware with applied decoration and natural wax / 21 x 33 x 33.4cm Coiled Pot c.1996–2001 Hand-thrown earthenware with applied decoration and natural wax / 32 x 47.5 x 20cm Wide Ceremonial Bowl with Face c.1996–2001 Hand-thrown earthenware with applied decoration and natural wax / 30 x 47.4 x 19.3cm Collection of Karen Mitchell, Cairns / Port Moresby Cooking pot 1997 Hand-thrown earthenware with incised decoration and beeswax / 28.2 x 36.5 x 37.5cm Cooking pot with bat handles 1997 Hand-thrown earthenware with applied decoration and beeswax / 15.7 x 31.5 x 25.4cm Purchased 2011. Queensland Art Gallery Foundation Figurine – mother and child 1997 Hand-thrown earthenware with applied decoration, natural wax and knotted commercial cotton wool ( bilum ) / 24.5 x 14 x 14.4cm Pot with bat handles 1997 Hand-thrown earthenware with applied decoration and natural wax / 15.2 x 26.8 x 27.4cm Collection of Angie Kolita-Payne, Brisbane Susu mama with piglet and baby 2000 Hand-thrown earthenware with applied decoration and natural wax / 16 x 7 x 9.4cm / Purchased 2021 with funds from the Estate of Jessica Ellis through the Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art, Brisbane Circumcision ceremony drinking bowl 2001 Hand-thrown earthenware with applied decoration and beeswax / 14 x 25.4 x 25.9cm / Purchased 2011. Queensland Art Gallery Foundation Pregnant mother sitting down 2003 Hand-thrown earthenware with applied decoration and natural wax / 8 x 10 x 8cm PNG warrior sitting on a pot 2007 Hand-thrown earthenware with applied decoration, natural wax and coconut frond stick / 15 x 7 x 9.5cm Susu mama with baby 2009 Hand-thrown earthenware with applied decoration and natural wax / 34.5 x 30 x 30cm Susu mama with baby 2009 Hand-thrown earthenware with applied decoration and natural wax / 17.5 x 8 x 11cm Water storage pot – woman’s face 2009 Hand-thrown earthenware with applied decoration and natural wax / 34.5 x 34 x 20.5cm Young girl sitting down 2009 Hand-thrown earthenware with applied decoration, natural wax and knotted cotton bilum / 11 x 6 x 8cm Seated girl 2011 Hand-thrown earthenware with applied decoration and natural wax / 15 x 11 x 9.7cm Squatting mother 2011 Hand-thrown earthenware with applied decoration and natural wax / 14 x 11 x 10.5cm PNG warrior sitting on a pot 2012 Hand-thrown earthenware with applied decoration, natural wax, dried pandanus fibre and coconut frond stick / 22 x 10 x 14cm Mother feeding baby 2013 Hand-thrown earthenware with applied decoration, natural wax, knotted cotton bilum and plastic beads / 15.5 x 5 x 8.5cm Seated woman with child 2013 Hand-thrown earthenware with applied decoration and natural wax / 14.5 x 11 x 12cm Purchased 2021 with funds from the Estate of Jessica Ellis through the Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art, Brisbane Water storage pot – man’s face 2013 Hand-thrown earthenware with incised decoration and beeswax / 37.9 x 39.5 x 41cm Water storage pot – woman’s face 2013 Hand-thrown earthenware with incised decoration and beeswax / 33.5 x 33.4 x 33.2cm Purchased 2015. Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art, Brisbane Cooking pot 2015 Hand-thrown earthenware with applied decoration and beeswax / 25 x 36 x 37cm