The 10th Asia Pacific Triennial of Contemporary Art (APT10) Catalogue

The 10th Asia Pacific Triennial of Contemporary Art 208 FEBUAR TOBAN Uramat People, Nguarhi Family Papua New Guinea b. unknown Qarakparhaqi c.2017 Barkcloth with natural pigments, synthetic polymer paint, bamboo, wood / 50 x 25cm (diam.) Qarakparhaqi c.2017 Barkcloth with natural pigments, synthetic polymer paint, bamboo, wood / 55 x 26cm (diam.) Qarakparhaqi c.2017 Barkcloth with natural pigments, synthetic polymer paint, bamboo, wood / 60 x 27.5cm (diam.) Qarakparhaqi c.2017 Barkcloth with natural pigments, synthetic polymer paint, bamboo, wood / 61 x 24.5cm (diam.) Qarakparhaqi c.2017 Barkcloth with natural pigments, synthetic polymer paint, bamboo, wood / 62 x 24.5cm (diam.) Qarakparhaqi c.2017 Barkcloth with natural pigments, synthetic polymer paint, bamboo, wood / 62 x 24.5cm (diam.) Qarakparhaqi c.2017 Barkcloth with natural pigments, synthetic polymer paint, bamboo, wood / 63 x 23cm (diam.) Qarakparhaqi c.2017 Barkcloth with natural pigments, synthetic polymer paint, bamboo, wood / 73 x 22.5cm (diam.) Manengmatka 2016 Kavat mask: barkcloth with natural pigments, cane, wood, bark twine / 108 x 51.5 x 82cm Ngoari (bamboo drum) 2017 Bamboo, hollowed / 109.5 x 7.5cm (diam.) Ngoari (bamboo drum) 2017 Bamboo, hollowed / 134.3 x 6.8cm (diam.) Ngoari (bamboo drum) 2017 Bamboo, hollowed / 162.5 x 6.2cm (diam.) Gifts of the Uramat Clan of Gaulim and Wunga villages through Gideon Kakabin and the Queensland Art Gallery | Gallery of Modern Art Foundation 2018 / Collection: Queensland Art Gallery | Gallery of Modern Art, Brisbane JUMAADI Indonesia/Australia b.1973 A boat transporting dust (perahu bermuatan debu) 2021 Synthetic polymer paint on cotton cloth primed with rice paste / 385 x 310cm A wedding gown 2021 Synthetic polymer paint on cotton cloth primed with rice paste / 315 x 285cm Flying artist 2021 Synthetic polymer paint on cotton cloth primed with rice paste / 308 x 386cm In the garden 2021 Synthetic polymer paint on cotton cloth primed with rice paste / 330 x 265cm Mountain high (peziara peziara) 2021 Synthetic polymer paint on cotton cloth primed with rice paste / 311 x 382cm Slingshot (the tree of life is the tree of death) 2021 Synthetic polymer paint on cotton cloth primed with rice paste / 310 x 382cm Courtesy: The artist; Jan Manton Gallery, Brisbane; and King Street Gallery, Sydney KĀ PARORO O HAUMUMU: COASTAL FLOWS / COASTAL INCURSIONS Aotearoa New Zealand, est. 2014 Kā Paroro o Haumumu: Coastal Flows / Coastal Incursions 2012–ongoing Trans-disciplinary research project comprised of multichannel video installation, museum inventory work, wānanga in multiple sites, events, with participant archaeologists, artists, mana whenua and museologists APT10 formation is Kaihaukai Art Collective (Ron Bull Jr and Simon Kaan) with First Nations Chefs Dale Chapman (Yuwaalaraay and Kooma), Chris Jordan (Maclean on Bundjalung Country), and Elders Desmond Sandy (Yuggara), Aunty Maroochy Barambah (Turrbal and Gubi Gubi); Manawaroa Rimene, Alex Monteith, A R A P E T A, Vicki Lenihan, Gerard O'Regan, Kimberley Stephenson, Colleen Brennan, Rachel Shearer and Cathy Livermore A R A P E T A Ngāti Mahuta, Ngāti Whanaunga, Ngāti Porou, Muriwhenua Aotearoa New Zealand b.1996 VICKI LENIHAN Waitaha, Kāti Mamoe, Kāi Tahu Aotearoa New Zealand b.1971 ALEX MONTEITH Na Sé Chontae, Northern Ireland/ Aotearoa New Zealand b.1977 GERARD O’REGAN Kāi Tahu Aotearoa New Zealand b.1967 KIMBERLEY STEPHENSON Aotearoa New Zealand b.1984 He Mea Whakamātā—Repacking the Past 2012‒ongoing Monitors with images from inventory work in Waihōpai Invercargill and Ōtepoti Dunedin, inventory work (Aotearoa) December 2020 – April 2021, selections of taoka in the context of pūrakau storytelling at the Te Waipounamu sites with parallel presentation via live digital-web link during wānanga and exchange between Kurilpa Point, Brisbane, Waihōpai Invercargill and Ōtepoti Dunedin / Courtesy: The artists ALEX MONTEITH Na Sé Chontae, Northern Ireland/ Aotearoa New Zealand b.1977 COLLEEN BRENNAN SPATIAL AUDIO DESIGN AND AUDIO MIX Aotearoa New Zealand b.1972 CATHY LIVERMORE AUDIO COMPOSITION Waitaha, Kāti Mamoe, Kāi Tahu Sydney Australia b.1976 RACHEL SHEARER AUDIO COMPOSITION Te Aitanga-a-Māhaki, Rongowhakaata, Ngāti Kahungunu Aotearoa New Zealand b.1966 Kā Paroro o Haumumu: Coastal Flows,Coastal Incursions in Light of Time 2014 Multichannel HD video, 16:9, 107 minutes (looped), colour, nine-channel surround sound, ed.1/4 / Courtesy: The artists KAIHAUKAI ART COLLECTIVE Aotearoa New Zealand, est. 2012 RON BULL JR Kāti Te Ākau Aotearoa New Zealand b.1967 SIMON KAAN Kāi Tahu, Kāti Mamoe, Waitaha, Kāti Irekehu, Kāti Mako Aotearoa New Zealand b.1971 With First Nations Chefs: DALE CHAPMAN Yuwaalaraay and Kooma Australia b. 1962 CHRIS JORDAN Australia b. 1989 and Elders: MAROOCHY BARAMBAH Turrball and Gubi Gubi Australia b.c.1950 DESMOND SANDY Yuggara Australia b.1942 MANAWAROA RIMENE Kāi Tahu Aotearoa New Zealand Untitled 2021 Multichannel HD video: 16:9, colour, sound, food traces / Dimensions variable / Courtesy: The artists KO E KOLOA LALANGA MEI HE KAVELE’IPULU: THE WEALTH OF COCONUT FIBRE LESIELI KATOKAKALA TOHI TUPOU Tonga b.1944 Basket with double handle 2020 Coconut husk fibres ( pulu ), shells / 13.5 x 24cm (approx.) / Courtesy: The artist Drawstring kato c.2020 Coconut husk fibres ( pulu ), shells / 14 x 16cm Fan c.2020 Coconut husk fibres ( pulu ) / 23.5 x 19cm (approx.) List of works Purchased 2021 with funds from the Oceania Women’s Fund through the Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art, Brisbane Flat Purse 2020 Coconut husk fibres ( pulu ), shells / 20 x 30 x 24cm (approx.) / Courtesy: The artist Jewellery kato c.2020 Coconut husk fibres ( pulu ) / 6 x 6cm (approx.) / Purchased 2021 with funds from the Oceania Women’s Fund through the Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art, Brisbane Round basket with handles 2020 Coconut husk fibres ( pulu ), shells / 15 x 10cm (approx.) Teki Teki 1 2020 Feathers, coconut husk fibres ( pulu ) / 39.5 x 31cm (approx.) Teki Teki 2 2020 Feathers, coconut husk fibres ( pulu ) / 44 x 31cm (approx.) Courtesy: The artist SIONE MAILESENI Tonga b.1983 Kato maeakafa toho 2018 Woven coconut husk fibres ( pulu ), coconut leaf midrib ( tu’a niu ) / 38.1 x 130.6 x 130.6cm / Purchased 2020. Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art, Brisbane Kato Maeakafa 2020 Coconut husk fibres ( pulu ), coconut leaf midrib ( tu’a niu ), shells / 20.32 x 64.71cm (approx.) Efinanga Ki He Hau 2021 Coconut husk fibres ( pulu ) / Three parts: Pulupulu fakatu’i (imperial robe): 83.8 x 216cm (approx.); fuekafa (handheld device): 45 x 10cm (approx.), kahoa mosikaka (necklace): 75 x 20cm (approx.) Purchased 2021 with funds from the Jennifer Taylor Bequest through the Queensland Art Gallery l Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art, Brisbane GRACE LILLIAN LEE Meriam Mir people Australia b.1988 KEN THAIDAY SNR Meriam Mir people Australia b.1950 Suggoo Pennise 2021 Kinetic sculpture; hand-carved plywood, synthetic polymer paint, cane, feathers, cotton webbing, mirrored glass and mechanical rotation device / 350 x 300cm (approx.) / Courtesy: The artists AMY LIEN United States b.1987 ENZO CAMACHO The Philippines b.1985 The Angry Christ (Plot and Plantation) 2021 Foldable wooden structure with ink-painted rice paper insets / Central panel: 307 x 307cm; wing panels: 307 x 153.5cm (each) Handmade papers: Burning Bush 2020 Watercolour, gouache, ink, wax, cotton, bagasse, wood ash / 43.2 x 25.4cm Inflammation 2020 Watercolour, gouache, wax, cotton, bagasse, seaweed, oyster shell / 48.3 x 33cm Martyrs 2021 Watercolour, gouache, ink, wax, cotton, bagasse, seaweed, bark, gold leaf / 44.5 x 31.8cm Riddle 2021 Watercolour, gouache, ink, wax, joss paper, banana peel, scallions / 20.3 x 33cm The Plot 2021 Watercolour, gouache, ink, wax, cotton, bagasse, seaweed, algae, coconut husk, rice hull, gold leaf / Triptych: Left panel: 41.9 x 29.2cm; central panel: 45.7 x 32.4cm; right panel: 39.4 x 30.5cm Tiempo Muerto 2021 Watercolour, gouache, wax, abaca, corn husk, banana peel, scallions, onion skins / 33 x 22.9cm Under Ground 2021 Watercolour, gouache, wax, abaca, corn husk, banana peel / 34.9 x 25.4cm Zine: Printed essays and artists' photographs / 21 x 14.9cm (approx.) Courtesy: The artists MINOUK LIM South Korea b.1968 O Tannenbaum 2017–21 Two-channel video, poster, found objects / Installed dimensions variable / Film direction and editing: Dongsu Shim and Junki Mine / Project management: Eunsol Kim / Graphic design: dl.tokki.dl / Supported by Arts Council Tokyo, MMCA and SBS Cultural Foundation / Courtesy: The artist KIMIYO MISHIMA Japan b.1932 Paper Bag 1973–74 Ceramic / 49 x 35 x 24cm Paper Bag 1973–74 Ceramic / 50 x 36 x 24cm Paper Bag 1973–74 Ceramic / 67 x 41 x 35cm Courtesy: The artist and MEM, Tokyo Box Banana 15 2015 Ceramic / 55 x 45 x 30.5cm / Private collection / Courtesy: MEM, Tokyo Copy 16 2016 Ceramic / 16 pieces: 39.7 x 28.7cm (each) / Installed dimensions variable Box Grapefruit 19-2 2019 Ceramic / 36 x 42 x 36.5cm Box Orange 19 2019 Ceramic / 39 x 43.5 x 33cm Courtesy: The artist and MEM, Tokyo Work 19 – G 2019 Screenprinted and hand-coloured ceramic and iron / 91 x 57 x 58cm Work 21 – C4 2021 Screenprinted and hand-coloured ceramic and iron / 74 x 56 x 56cm The Kenneth and Yasuko Myer Collection of Contemporary Asian Art. Purchased 2021 with funds from Michael Sidney Myer through the Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art, Brisbane PHUONG NGO Australia b.1983 With collaborators: Mevlana Adil, Hoda Afshar, Annelise Ahfat, Elyas Alavi, Michelle Antoinette, Anh Nguyen Austen and Kien Andrew Nguyen Merrick, Casey Ayres, Marnie Badham, Sabrina Baker, Sofi Basseghi, Zoë Bastin, Nathan Beard, Alison Bennett, Serena Bentley, Moorina Bonini, Jessica Bradford, Gaye Brimacombe, Adrianna Burnes-Nguyen, Lara Chamas, Kelly Chan, Brit Chapman and Vivian Cooper, Cindy Yuen-Zhe Chen, Yu Fang Chi, Jessica Clark, Phuong and Maya Cooke, Anita Cummins, Mig Dann, Tess Do, Léuli Eshrāghi, Gok-Lim Finch, Eugenia Flynn, Kellyann Geurts, Dominic Golding, Kate Golding, Michelle Hamer, Yusuf Ali Hayat, Brenna Hillier, Deanna Hitti, Ching Ching Ho, Tammy Wong Hulbert, Andrew Huynh, Pia Johnson, Zaiba Khan, Nikki Lam, Shirley Le, Jenna Lee, Owen Leong, Janelle Low, Annie Luo, Morganna Magee, Georgie Mattingley, Erica McCalman, Leah Jing McIntosh, Hayley Millar Baker, Jazz Money, Kimberley Moulton, Nithya Nagarajan, Steph Neoh, Telia Nevile, Anne Anh Thu Tran Nguyen, Hieu Nguyen, James Nguyen, Jamey Nguyen, Lana Nguyen, Paige Nguyen and Harrison Lee, Nanette Orly, Sheila Ngoc Pham, Jason Phu, Jamie Powell, Ryan Presley, Jinghua Qian, Hwafern Quach, Lucreccia Quintanilla, Deborah Ratliff, Nadia Rhook, Megan Robson, Sha Sarwari, Karen Schamberger, Leela Schauble, Jessie Scott, Soo-Min Shim, Nur Shkembi, Faz Shu, Talia Smith, Rhen Soggee, EJ Son, Vipoo Srivilasa, Tina Suraci, Ari Tampubolon, Cyrus Tang, Shireen Taweel, Julie Thach, Kylie Tran, Quyen Tran, Garry Trinh, Truc Truong, Zoe Wong, Louise Zhang, Siying Zhou Untitled No. 2–5, Untitled No. 7, Untitled No. 9–22, Untitled No. 27–30, Untitled No. 32–52, Untitled No. 54–109 (Collaborative racist paintings) 2020–ongoing