11th Asia Pacific Triennial of Contemporary Art

KARLADICKENS Wiradjuri, Irish, German heritage Australia b.1967 As above, so below 2024 installation, comprising: Cuddling bones (from ‘Disastrous’ series) 2022 Mixedmedia / 124 × 124cm Fever (from ‘Disastrous’ series) 2022 Mixedmedia / 124 × 124cm Courtesy: The artist and STATION, Melbourne and Sydney For sale (from ‘Disastrous’ series) 2022 Mixedmedia / 124 × 124cm / Collection: Karina Harris and Neil Hobbs Heartbreaking records (from ‘Disastrous’ series) 2022 Mixedmedia / 124 × 124cm Killer cattle (from ‘Disastrous’ series) 2022 Mixedmedia / 124 × 124cm Whitewashing change (from ‘Disastrous’ series) 2022 Mixedmedia / 124 × 124cm Hell or HighWater 2022–23 Mixedmedia / Eight parts: 64 × 64cm (each) Courtesy: The artist and STATION, Melbourne and Sydney Keeping it together 2023–24 Mixedmedia / Dimensions variable / Commissioned for APT11 / Courtesy: The artist and STATION, Melbourne and Sydney DULGUUNBAATARSUKH Mongolia b.1984 Ask something 2021 Synthetic polymer paint on canvas / 90 × 70cm Ursula 2021 Synthetic polymer paint on canvas / 80 × 80cm February 2022 Synthetic polymer paint andmixed media on canvas / 40 × 40cm January 2022 Synthetic polymer paint andmixed media on canvas / 40 × 40cm Trace 2023 Burlap, rope / 230 × 292cm Nest 2024 Synthetic polymer paint andmixed media on canvas / 100 × 81cm Note 2 2024 Mixedmedia and eco-print on cotton/ 117 × 56cm Placebo 2024 Synthetic polymer paint andmixed media on canvas / 150 × 100cm Us 2024 Synthetic polymer paint andmixed media on canvas / 150 × 100cm Purchased 2024. Queensland ArtGallery | Gallery of Modern Art Foundation / Collection: Queensland ArtGallery | Gallery of Modern Art ANAESTRADA Mexico/Australia b.1984 NASRIKAH Indonesia/Malaysia b.1979 OKUI LALA Malaysia b.1991 Re-imagining the workplace 2024 Performance, Queensland Art Gallery / Duration: 120minutes (approx.) / Courtesy: The artists HAROLD ‘EGN’ ESWAR Malaysia b.1980 Dari Kali ke Durian Tunjung ( FromKali to Durian Tunjung ) 2021 Digital print on photographic paper, ed. 1/50 / 168.2 × 118.8cm/ Purchased 2021. Queensland ArtGallery | Gallery of Modern Art Foundation / Collection: Queensland ArtGallery | Gallery of Modern Art The Sin Lian Huat Boys Documentation 2021 Digital prints on photographic paper / Six sheets: 59.4 × 84.1cm (each) Kota Kinabalu: The written/the erased 2024 Digital prints on photographic paper/ Five sheets: 84.1 × 59.4cm (each) Courtesy: The artist ‘AUNOFOHAVEA FUNAKI Tonga b.1972 THE LEPAMAHANGA WOMEN’SGROUP Tongan people Tonga est. 2016 Fala Kuta e Toa Ko Tavakefai‘ana 2024 Kutu culms ( Eleocharis dulcis ), lou‘akau (dried pandanus) / 1432 × 335cm (approx.) / Commissioned for APT11 / Purchased 2024 with funds from the OceaniaWomen’s Fund through the Queensland ArtGallery l Gallery of Modern Art Foundation / Collection: Queensland ArtGallery l Gallery of Modern Art ANGELAGOH Australia b.1986 Total 2024 Performance / Courtesy: The artist and Fine Arts, Sydney BRETTGRAHAM Ngāti Korokī Kahukura, Tainui Aotearoa New Zealand b.1967 Tai Moana Tai Tangata , comprising: Cease Tide of Wrong-Doing 2020 Kauri, wood andmetal / 960 × 300cm (diam.) / Purchased with the support of the Govett-Brewster Foundation and Gallery supporters/ Collection: Govett-Brewster Art Gallery, New Plymouth, Aotearoa New Zealand / The inclusion of this work in APT11 was supported by the Govett-Brewster ArtGallery, Dayle and Chris Mace, Chartwell Trust, John and Jo Gow, and Andrew and Jenny Smith Grande Folly Egmont 2020 Wood and synthetic polymer paint / 680 × 318cm Ohawe 2020 Digital animation synthesised fromoffshore aerial drone footage, 4k enhanced projection: colour, sound, 4:30minutes / Animation: Animation Research LTD (Ken Gorrie, Sarah Dolby and Mark McQuillan) / Sound: Daniel Campbell-Macdonald / Drone footage: Skylens (John Carew) and MadMedia (Ed Aish)/With special thanks to Ian Taylor of Animation Research LTD Te Namu (still) 2020 Fromdigital animation synthesised fromoffshore aerial drone footage Courtesy: The artist Maungārongo ki teWhenua, Maungārongo ki te Tangata 2020 Wood, synthetic polymer paint and graphite / 320 × 800 × 320cm / Purchased 2024 with funds from TimFairfax AC through the Queensland ArtGallery | Gallery of Modern Art Foundation / Collection: Queensland ArtGallery | Gallery of Modern Art O’Pioneer 2020 White cement, fibreglass and steel frame / 300 × 400cm (diam.) Purutapu Pōuriuri ( Black Shroud ) 2020 Velvet and damask / 1800 × 300cm Courtesy: The artist /With special thanks toMatene Sisnett, Darren andMichelle Engelbrecht, Gareth Curd, Greg and Ali Lang, Eugene Kara and whānau, Misty Ratima and Paula Crowther ISHUHAN China/Japan b.1987 Cultivating the waves 2024 Single-channel video projection: colour, sound, 15minutes Not Ocean 2024 Single-channel video projection: black and white, sound, 15minutes Courtesy: The artist and ANOMALY, Tokyo DHARDING Bidjara, Ghungalu and Garingbal people Australia b.1982 Woori red 2024 Ghungalu red soil, gumacacia, wool felt, farrier nails / Nine blankets: 110 × 180cm (each, approx.) / Artwork supported by members of the Harding and Lawton families/ Courtesy: The artist andMilani Gallery, Meanjin/Brisbane Tư liệu Bát Tràng – bản dựng ( Bát Tràng documents – renderings ) 2024 Video documentary; MPEG-4, colour, stereo, 16:24minutes, Vietnamese Courtesy: The artist ETSONCAMINHA Timor-Leste b.1984 Sounds of nature 2022 Single-channel video: 16:9, colour, sound, 5:30minutes (looped) LIAN UDAN akompanha ho LIAN SANAN RAI 2023 Single-channel video: 16:9, colour, sound, 2:15minutes (looped) Percussion with the twins 2023 Single-channel video: 16:9, colour, sound, 0:43minutes (looped) Roots of the Sounds 2024 Mixedmedia installation: buffalo skull, horn, synthetic polymer paint, metal, lakadou (bamboo instrument), sanen rai (clay pot) and tais (woven textiles) / Installed dimensions variable Courtesy: The artist CAMP India est. 2007 ASHOKSUKUMARAN, JAN GERBER, ROHANCHAVAN, SHAINAANAND, SIMPREET SINGH ANDZINNIAAMBAPARDIWALA (ARTISTS) With residents of Achanak Nagar, Maya Nagar, Siddharth Nagar, Jijamata Nagar, Mariamma Nagar, Ambedkar Wadi, Shreeram Mills, Lotus Colony, Madraswadi, Markandeshwar Nagar and BDD Chawls, Worli Bombay Tilts Down 2022 Seven-channel 4K video environment, with alternating soundtrack: colour, sound, 13:14minutes (looped) / Filmed by a CCTV camera froma single-point location in South Central Mumbai / Soundtrack: Tushar Adhav, with KA Abbas, Amar Shaikh Kala Pathak, Anna Bhau Sathe, Avahan Natya Manch, BegumAkhtar, Dhondutai Kulkarni, Narayan Surve, Neela Bhagwat, Sambhaji Bhagat, Vilas Ghogre / Courtesy: The artists SZELITCHEUNG Hong Kong b.1988 Block 2024 Oil on canvas, oil on wood, architectural construction / 11 paintings; centre panel: 70 × 50cm (approx.); 10 panels: 6.1 × 5cm; 300 × 236.6 × 328cm (overall, installed) / The Kenneth and YasukoMyer Collection of Contemporary Asian Art. Purchased 2024 with funds from Michael Sidney Myer through the Queensland ArtGallery | Gallery of Modern Art Foundation / Collection: Queensland ArtGallery | Gallery of Modern Art MASAYACHIBA Japan b.1980 Painting and essay #1 (New residential area) 2024 Oil on canvas, wooden frame, copy paper / Painting: 35 x 43cm; paper: 29.7 x 21cm; installed dimensions variable Painting and essay #13 (Two-coloured ring) 2024 Oil on canvas, wooden frame, wooden pedestal, vegetable / Painting: 43 x 58cm; pedestal: 6 x 21 x 10cm; installed dimensions variable Painting and object of a coward #1 (Skeleton small mountain) 2024 Oil on canvas, wooden frame, wooden bat, mask, wooden box, cloth / Painting: 35 x 43cm; bat: 77.5 × 5 x 5cm; mask: 26 x 22.5 × 17cm; box: 5.6 x 47 x 41.2cm; installed dimensions variable Painting and theatre #1 (Photographer on a cloudy day) 2024 Oil on canvas, wooden frame, monitor, media player, cardboard, clothmask / Painting: 40 × 54cm; monitor: 24 x 36 x 1.6cm; cardboard objects: 40.5 x 20.5 x 3cm, 14.8 × 20.5 x 13cm, 94 x 26 x 6.5cm, 40.4 × 4 x 6cm; clothmasks: 63 × 30 × 9cm, 68 x 34 x 13cm; installed dimensions variable Painting and two-metre square of red #1 (Rotation) 2024 Oil on canvas, wooden frame, acrylic, painted cloth / Painting: 35 x 43cm; cloth: 200 x 200cm; installed dimensions variable Painting and Zen character with flies #1 ( Those who wait ) 2024 Oil on canvas, wooden frame, toy fly / Painting: 35 x 43cm; installed dimensions variable Theatre in the world of plaid #2 2024 Cloth, oil on canvas, paper, photograph, gouache, pencil, vegetable / Cloth: 89 x 210cm; 3 paintings: 35.4 x 42.9cm (each); collage: 35.5 x 36.6cm; sheet of QR codes: 20 x 11.8cm; drawing: 15 x 11.8cm; 3 pedestals: 4.5 x 9.1 × 19.5cm (each); installed size variable Courtesy: The artist and ShugoArts, Tokyo MELEKAHALEPUNACHUN Kanaka ‘Ōiwi Hawai‘i b.1966 Hina 2024 Feathers (goose, turkey, marabou, rooster, ringneck pheasant, guinea fowl and Lady Amherst’s pheasant), aluminiumwire, floristry tape, tarred twine, satin and organza, wood, cotton thread and natural fibre cordage / Nine parts: 4 kāhili (feather standard), 4 lei (feather garland), 1 ‘ahu‘ula (feather cloak); dimensions variable/ Commissioned for APT11/ Purchased 2024 with funds from David Thomas AM through the Queensland ArtGallery | Gallery of Modern Art Foundation / Collection: Queensland ArtGallery | Gallery of Modern Art CHUNGSEOYOUNG South Korea b.1964 Blood, flesh, bone 2019 Wood / 236 × 68 × 32cm Cheeky addition 2020 Graphite on glazed ceramic, painted plywood pedestal / Ceramic: 29.9 × 21 × 0.4cm; pedestal: 111 × 64 × 68cm Courtesy: The artist and Barakat Contemporary, Seoul Flying away 2020 Graphite on glazed ceramic, painted plywood pedestal / Ceramic: 29.9 × 21 × 0.4cm; pedestal: 111 × 64 × 68cm/ Collection: Anna Gu Gradually 2020 Graphite on glazed ceramic, painted plywood pedestal / Ceramic: 29.9 × 21 × 0.4cm; pedestal: 111 × 64 × 68cm A hole 2020 Graphite on glazed ceramic, painted plywood pedestal / Ceramic: 29.9 × 21 × 0.4cm; pedestal: 111 × 64 × 68cm Space, nose 2020 Graphite on glazed ceramic, painted plywood pedestal / Ceramic: 29.9 × 21 × 0.4cm; pedestal: 111 × 64 × 68cm The sum total 2020 Graphite on glazed ceramic, painted plywood pedestal / Ceramic: 29.9 × 21 × 0.4cm; pedestal: 111 × 64 × 68cm The sun, my thumb 2020 Graphite on glazed ceramic, painted plywood pedestal / Ceramic: 29.9 × 21 × 0.4cm; pedestal: 111 × 64 × 68cm Thorns, tall plants 2020 Graphite on glazed ceramic, painted plywood pedestal / Ceramic: 29.9 × 21 × 0.4cm; pedestal: 111 × 64 × 68cm Tiger, palm tree 2020 Graphite on glazed ceramic, painted plywood pedestal / Ceramic: 29.9 × 21 × 0.4cm; pedestal: 111 × 64 × 68cm The world 2020 Graphite on glazed ceramic, painted plywood pedestal / Ceramic: 29.9 × 21 × 0.4cm; pedestal: 111 × 64 × 68cm Courtesy: The artist and Barakat Contemporary, Seoul COMMUNITYPARTNERS PROGRAM LOUIS LIMANDCHRISTINEKO Malaysia b.1989; Taiwan b.1980 ANIWAYAQUILIZAN The Philippines/Australia b.1999 QUEENSLANDMĀORI SOCIETY: NINATAUKIRI Brisbane est. 2008 AUSTRALIAN INTERNATIONAL ISLAMICCOLLEGE: MOHAMMED AZHARI ANDSARASHERA Brisbane est. 2002 PASIFIKAWOMEN’S ALLIANCE INC. Brisbane est. 2013 Multi-arts projects, including interactive installation, public programs, educational resources, audiovisual social media, website and blog / Courtesy: The community partners LISTOFWORKS 248 — 249 ASIAPACIFICTRIENNIAL