11th Asia Pacific Triennial of Contemporary Art

(this page, clockwise from above) Wool blankets (installation view, ‘D Harding: We breathe together’, Bergen Kunstall, Norway) 2021–22 / Photograph: Thor Brødreskift; F1 (Saddler’s contract) 2020 and Cloaks (mortua and mortuus) 2018 (installation view, ‘Through a lens of visitation: Dale Harding’, Monash University Museum of Art, Melbourne, 2021) / Photograph: Andrew Curtis; Artwork in progress using Ghungalu red soil 2024 (opposite, clockwise from above left) Pigment transfer study, 2022; International Rock Art Red, drawn from felt blankets (installation view, ‘ARS2022: Living Encounters’, Museum of Contemporary Art Kiasma | Finnish National Gallery, Helsinki) 2022 / Image courtesy: Finnish National Gallery / Photograph: Petri Virtanen; sweet dreams – bright eyed little dormitory girls 2014 / Hessian sacks, coconut fibre, thread and ink / 210 × 55 cm / Photograph: Julie Bishop; Artwork in progress using Ghungalu red soil 2024 Images courtesy: The artist and Milani Gallery, Meanjin/Brisbane