Cai Guo-Qiang: Falling back to earth

184 185 Venice Biennale, Palazzo Giustinian Lolin, ‘TransCulture: 46th Venice Biennale’. Exh. cat. Watari Museum of Contemporary Art, Tokyo, ‘Ripple Across the Water’. Exh. cat. Ho-Am Art Museum, Seoul, ‘Contemplation’. Exh. cat. 1996 P.S.1 The Institute for Contemporary Art (now MoMA PS1), 80 Lafayette St, New York, ‘In the Ruins of the Twentieth Century: The 20th Annual International Studio Artist Exhibition’. Exh. cat. Nagoya City Art Museum, ‘Between Earth and the Heavens: Aspects of Contemporary Japanese Art II’ (travelled to Museo Tamayo, Mexico City). Exh. cat. Queensland Art Gallery, Brisbane, ‘The Second Asia Pacific Triennial of Contemporary Art’. Exh. cat. Pavilhão Ciccillo Matarazzo, Parque do Ibirapuera, São Paulo, ‘23rd Bienal Internacional de Sao Paulo: Universalis’. Exh. cat. Museum of Modern Art, Saitama, ‘Origins and Myths of Fire: New Art from Japan, China and Korea’. Exh. cat. Museum van Hedendaagse Kunst Gent (now Stedelijk Museum voor Actuele Kunst (S.M.A.K.)), Ghent, ‘De Rode Poort’. Exh. cat. Guggenheim Museum SoHo, New York, ‘The Hugo Boss Prize 1996’. Exh. cat. 1997 Shiseido Gallery, Tokyo, ‘Promenade in Asia II’. Exh. cat. Museum of Contemporary Art, Chicago, ‘Performance Anxiety’ (travelled to Museum of Contemporary Art, San Diego, 1997; SITE Santa Fe, 1998). Exh. cat. Venice Biennale, Giardini di Castello, ‘Future, Past, Present: 47th Venice Biennale’. Exh. cat. Istanbul Biennial (various sites), ‘5th International Istanbul Biennial: On Life, Beauty, Translation and Other Difficulties’. Exh. cat. Secession, Exhibition Hall for Contemporary Art, Vienna, ‘Cities on the Move’, (travelled to CAPC musée d’art contemporain de Bordeaux, 1998; P.S.1 Contemporary Art Center (now MoMA PS1), New York, 1998–99; Louisiana Museum of Modern Art, Humlebæk, 1999; Hayward Gallery, London, 1999; Museum of Contemporary Art Kiasma, Helsinki, 1999). Exh. cat. 1998 Moderna Museet, Stockholm, ‘Wounds: Between Democracy and Redemption in Contemporary Art’. Exh. cat. Museum of the Center for Curatorial Studies, Bard College, New York, ‘Where Heaven and Earth Meet’. Exh. cat. Académie de France à Rome, Villa Médicis, Rome, ‘La Ville, le Jardin, la Mémoire: La Ville’. Exh. cat. Taipei Fine Arts Museum, ‘Site of Desire: 1998 Taipei Biennial’. Exh. cat. DESTE Foundation for Contemporary Art, Athens, ‘Global Vision: New Art from the 90s Part II’. National Gallery of Canada, Ottawa, ‘Crossings’. Exh. cat. P.S.1 Contemporary Art Center (now MoMA PS1), New York, and Asia Society (co-organiser), New York, ‘Inside Out: New Chinese Art’ (travelled to San Francisco Museum of Modern Art (co-organiser) and Asian Art Museum of San Francisco, 1999; Museo de Arte Contemporáneo de Monterrey, 1999; Tacoma Art Museum and Henry Art Gallery, Seattle, 1999–2000; National Gallery of Australia, Canberra, 2000). Exh. cat. Fondation Cartier pour l’art contemporain, Paris, ‘Issey Miyake: Making Things’ (travelled to ACE Gallery, New York, 1999–2000; Museum of Contemporary Art Tokyo, 2000). Exh. cat. Melbourne International Festival of the Arts, ‘Remanence’. Exh. cat. 1999 Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent, ‘De Opening’. Exh. cat. Académie de France à Rome, Villa Médicis, Rome, ‘La Ville, le Jardin, la Mémoire: La Memoire’. Exh. cat. Centraal Museum, Utrecht, ‘Panorama 2000: Art in Utrecht seen from the Dom Tower’. Exh. cat. Venice Biennale, Arsenale, ‘APERTO Over All: 48th Venice Biennale’. Exh. cat. and artist book. SITE Santa Fe, ‘Looking for a Place: The Third International Biennial’. Exh. cat. Guggenheim Museum Bilbao, ‘International Currents in Contemporary Art’. Queensland Art Gallery, Brisbane, ‘Beyond the Future: The Third Asia Pacific Triennial of Contemporary Art’. Exh. cat. Museum Ludwig, Cologne, ‘Kunst-Welten im Dialog’. Exh. cat. Tel Aviv Museum of Art, ‘Hiriya in the Museum: Artists’ and Architects’ Proposals for Rehabilitation of the Site’. Exh. cat. Kunstmuseum, Bonn, ‘Zeitwenden’ (travelled to Museum Moderner Kunst Stiftung Ludwig Wein, Vienna, 2000). Exh. cat. 2000 National Taiwan Museum of Fine Arts, Taichung, ‘Gratitude’ (one day event and exhibition). Contemporary Arts Museum, Houston, ‘Outbound: Passages from the 90s’. Exh. cat. Whitney Museum of American Art, New York, ‘2000 Biennial Exhibition’. Exh. cat. Fukuoka Asian Art Museum, ‘Pioneers of Chinese Contemporary Art’. Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent, ‘Over the Edges’. Exh. cat. Art Gallery of New South Wales, Sydney, ‘Biennale of Sydney 2000’. Exh. cat. Koldo Mitxelena Kulturunea, San Sebastian, ‘Erresistentziak / Resistencias (Acts of Resistance’. Exh. cat. Messe Basel, ‘Art 31 Basel: The Art Fair’. Exh. cat. Académie de France à Rome, Villa Médicis, Rome, ‘La Ville, le Jardin, la Mémoire: Le Jardin’. Exh. cat. Musée d’art contemporain de Lyon, ‘Sharing Exoticisms: 5th Biennale d’art contemporain de Lyon’. Exh. cat. Museu de Arte Moderna da Bahia, Salvador, ‘The Quiet in the Land: Everyday Life, Contemporary Art and Projeto Axé’. Exh. cat. Echigo-Tsumari Art Triennial, Tsunan Mountain Park, Niigata Prefecture, ‘Echigo-Tsumari Art Triennial 2000’. Exh. cat. Fundament Foundation (organiser), De Oude Warandepark, Tilburg, ‘Lustwarande/Pleasure- Garden’. Seoul Metropolitan Museum of Art, ‘Media City Seoul 2000’. Exh. cat. The Museum of Modern Art, New York, ‘Open Ends: MoMA 2000’. Exh. cat. Shanghai Art Museum, ‘Shanghai Biennale 2000: Shanghai Spirit’. Exh. cat. 2001 Palazzo delle Papesse – Centro Arte Contemporanea (co-organiser), Siena, ‘The Gift: Generous Offerings, Threatening Hospitality’ (travelled to Centro Culturale Candiani (co- organiser), Venice, 2001–02; Scottsdale Museum of Contemporary Art, Arizona, 2002; Bronx Museum of the Arts, New York, 2002–03; Mary and Leigh Block Museum of Art, Northwestern University, Evanston, 2003; Art Gallery of Hamilton, Ontario, 2003. Travelling exhibition organised with Independent Curators International, New York.). Exh. cat. Sonsbeek Park, Arnhem, ‘Sonsbeek 9: LocusFocus’. Exh. cat. Venice Biennale, Giardini di Castello, ‘Plateau of Humankind: 49th Venice Biennale’. Exh. cat. Yokohama Triennale (various sites), ‘Yokohama 2001: International Triennale of Contemporary Art: Mega Wave: Towards a New Synthesis’. Exh. cat. Associazione Arte Continua (organiser), various sites in Tuscany, ‘Arte all’Arte 6: Arte, Architettura, Paesaggio’. Exh. cat. Castello di Rivoli Museo d’Arte Contemporanea, Turin, ‘Form Follows Fiction’. Exh. cat. 2002 Museum der bildenden Künste, Leipzig, ‘Malerei ohne Malerei’. Exh. cat. Apexart, New York, ‘Art that Heals’. Limerick City Gallery of Art (organiser), various sites in Limerick, ‘EV+A 2002: Heroes + Holies’. Exh. cat. Gwangju Art Museum, ‘Red Continent: Chinese Contemporary Art Exhibition’. Exh. cat. Fattoria di Celle, Santomato (organised by Sistema Metropolitano d’Arte Contemporanea, Tuscany), ‘Magnete: artisti stranieri in Toscana 1945–2000’. Hyogo Prefectural Museum of Art, Kobe, ‘The Power of Art: Seven Pioneering Artists’. Obihiro Racetrack and Nishimaki Park, Obihiro, Hokkaido (organised by P3 art and environment, Tokyo), ‘Tokachi International Contemporary Art Exhibition: Demeter’. Exh. cat. Royal Academy of Arts, London, ‘The Galleries Show’. Exh. cat. Montréal Biennale, Cité Multimédia, ‘3rd Biennale de Montréal’. Exh. cat. Guangdong Museum of Art, Guangzhou, ‘The First Guangzhou Triennial: Reinterpretation: A Decade of Experimental Chinese Art 1990–2000’. Exh. cat. Fondation Cartier pour l’art contemporain, Paris, ‘Ce Qui Arrive’. Exh. cat. 2003 Tate Modern and Tate Britain, London, ‘Tate & Egg Live’. Institute of Contemporary Art, Boston, ‘Pulse: Art, Healing and Transformation’. Exh. cat. Contemporary Arts Center, Cincinnati, ‘Somewhere Better Than This Place: Alternative Social Experience in the Spaces of Contemporary Art’. Exh. cat. Centre national d’art et de culture Georges Pompidou, Paris, ‘Alors, la Chine?’. Exh. cat. Echigo-Tsumari Art Triennial, Tsunan Mountain Park, Niigata Prefecture, ‘Echigo-Tsumari Art Triennial 2003’. Exh. cat. Museum of Fine Arts, Houston, ‘The Heroic Century: The Museum of Modern Art’s Masterpieces, 200 Paintings and Sculptures’. Exh. cat. 2004 Rovaniemi, ‘The Snow Show: Harvested Ice’. Exh. cat. Museum van Hedendaagse Kunst, Antwerp (co-organiser) and Koninklijk Museum voor Schone Kunsten, Antwerp (co-organised by The Guy and Myriam Ullens Foundation), ‘All Under Heaven: Ancient and Contemporary Chinese Art’. Exh. cat. Pavilhão Ciccillo Matarazzo, Parque do Ibirapuera, São Paulo, ‘26th Bienal de São Paulo: Free Territory’. Exh. cat. San Diego Museum of Art, ‘Past in Reverse: Contemporary Art of East Asia’. 2005 Rose Art Museum, Brandeis University, Waltham, ‘DreamingNow’. Exh. cat. Museum of Contemporary Art, Chicago, ‘Universal Experience: Art, Life and the Tourist’s Eye’. Exh. cat. Museum of Contemporary Art, Taipei (MoCA Taipei), ‘Trading Place: Contemporary Art Museum’. Exh. cat. MARTa Herford, ‘(my private) Heroes’. Exh. cat. Palais de Tokyo, Paris, ‘Translation’. Millennium Art Museum, Beijing, ‘The Wall: Reshaping Contemporary Chinese Art’ (travelled to University at Buffalo, New York). Storefront for Art and Architecture, New York, ‘Can Buildings Curate’. Associazione Arte Continua (organiser), various sites in Tuscany, ‘Arte all’Arte 10: Arte, Architettura, Paesaggio’. Exh. cat. The John F Kennedy Center for the Performing Arts, Washington, DC, ‘The Kennedy Center Festival of China’. Sert Gallery, Carpenter Center for the Visual Arts, Harvard University, Cambridge, Massachusetts, ‘Quantum Grids’. 2006 Min Tai Yuan Museum, Quanzhou, ‘Min Tai Yuan Museum Collection (Inaugural Exhibition)’. Musée d’Art Moderne Grand-Duc Jean, Luxembourg, ‘Opening Exhibition: Eldorado’. Exh. cat. Echigo-Tsumari Art Triennial, Tsunan Mountain Park, Niigata Prefecture, ‘Echigo-Tsumari Art Triennial 2006’. Exh. cat. The Museum of Modern Art, New York, ‘Out of Time: A Contemporary View’. China Institute Gallery, New York, ‘Shu: Reinventing Books in Contemporary Chinese Art’ (travelled to Seattle Asian Art Museum, 2007; Clare Boothe Luce Gallery of Modern and Contemporary Art, Honolulu Academy of Arts, 2008). Exh. cat. Suzhou Museum, ‘Searching for Dreams in the Canals’. 2007 The Metropolitan Museum of Art, New York, ‘Journeys: Mapping the Earth and Mind in Chinese Art’. Seattle Asian Art Museum, ‘Of Nature and Friendship: Modern Chinese Paintings from the Khoan and Michael Sullivan Collection’.