Queensland Art Gallery Annual Report 1991-92

I NTERNAT IONAL PROGRAMS 'Asia-Pacific Triennial of Government, in particular with the Indonesian museums and visited major art institutions and a Contemporary Art' Secretariat of the Premier's Department and significant range of artists in order to promote the selectors for Papua New . the Department of Education. The Gallery has Asia-Pacific Triennial Guinea Mr Greg Roberts, Manager, Public formed a working group with teachers from Loans Programs, and Mr Ross the State Education Department to produce Picasso's La Be/le Hollandaise was lent to the Searle, Director, Perc material on the 'Asia-Pacific Triennial . , . ' for major exhibition of the artist's works 'Picasso Tucker Regional Gallery the cultures and languages area of the school 1905-1906, shown in Barcelona and Bern. This (seated, left), Ms Anne Kirker, selector for curriculum in Queensland. Nationally, the Gallery exhibition reassessed the significant early years Thailand, New Zealand is liaising with the Australia Council, the between the artist's blue and rose periods, and Hong Kong (seated, . . . . . Department of Foreign Affairs and Trade Cultural immediately prior to cubism. Other international Relations Section and its specialist foundations, loans to the exhibition included works from the such as the Australia-Indonesia Institute, the Tate Gallery, London, the Metropolitan Museum 11 U0 Australia-China Council and the Australia-japan of Art, New York, and the Musée Picasso in Paris. Foundation. The Manager, Curatorial & Support Services A Bulletin on the Triennial produced in six couriered the work to Barcelona languages was distributed nationally and The Deputy Director & Manager International internationally. The Gallery has received many Programs represented the Gallery at the official Asian visitors in connection with the Triennial opening of the exhibition on 5 February 1992 - - Kartika Affandi Koberl on 17 and 18 July 191 who performed by Her Majesty the Queen of Spain also presented a lecture on the art of her father, who graciously thanked the people of I the great Indonesian painter, Dr Affandi; Brother Queensland for lending such an important work. Joseph McNally, arts administrator from La Vanguardia, the leading Barcelona daily paper, right), and Ms Christine Singapore, on 29 and 30 September 1991; Dr carried a report which included a photograph of Clark, Project Officer Apinan Poshyananda of Thailand, on IS, 16 and 17 Her Majesty in front of La Belle Hollandaise. Also (standing centre) met . . April; Indonesian installation artist Harsono, who present at the opening were Claude Picasso, with members of the Triennial National gave a lecture on 15 April 1992; and Mrs Ahn So- younger son of Pablo Picasso, and Marina Picasso, C o n s u l t a t i v e ) ' e o n , Assistant Curator from the National grand-daughter of Picasso. The Director of the Committee, following Museum of Korea, on 7, 8 and 9 June 1992. Museu Picasso, Dr Teresa Ocana, was extremely preliminary research Ms Jeannie Henderson was Project Officer for warm in her thanks to the Gallery for the loan of visits: (seated, centre) Mr Doug Hall, Director; the Triennial from I March to 7 August 1991. this important work. (standing from left) Following Ms Henderson's resignation to take up Two major works in the Gallery's Collection, Mr David Williams, a position with the Office of National The Resurrection by Tintoretto and Portrait of a Director, Canberra . . Assessments in Canberra, Ms Christine Clark young woman in a fur wrap by Sir Peter Paul School of Art; Ms Alison Carroll, Visual Arts took up the position of Project Officer. Rubens, were lent to the major exhibition Consultant, Asialink; Mr The Gallery's Senior Exhibitions Officer, at the 'Rubens and the Italian Renaissance', presented at Neil Manton, Director, request of the Metropolitan Museum of Manila the Australian National Gallery and the National SEAP Program, and assisted by funds from the Department of Gallery of Victoria from March to August 1992. In Department of Foreign Affairs and Trade Foreign Affairs in Canberra, lectured in turn, the Gallery received on loan Andy Warhol's Cultural Relations November 191 in Manila on lighting and gallery Electric chair 1967 from the Australian National Branch; and Dr Caroline . . . . . design to over 100 Philippines colleagues. The Gallery and a selection often important prints by Turner, Deputy Director & Manager, International lecture utilised his extensive design experience at Rembrandt from the National Gallery of Victoria. Programs. the Queensland Art Gallery. While in Manila, he From 9 July 1991 to I May 1992 a work by also gave lighting advice to a number of art Edvard Munch, Seascape, from the Holmes a 30