Queensland Art Gallery Presscuttings Book 8 : Pressclippings, 1977-1981

.lasy Ii to Ql'F.f.l(Sl..\ :-1 0 '.' ofli!'i.d ,11'1 ('4Jli(•di 1111 h II IJ I ltu11 ,1·tl ill au ivory lowe r·, thtHl!!'h vbi11u, a , t•1·1HIJ111,; th•,· floor ... a lln \' l' !'<ill't't·l lrn•l, in ;, builtl i11i; olhl'rn b ,· d1•1·11t,·tl 10 1·01111111·1·1·1•, 111i ~ ltl i; :ti 11 th a t irn111·1•, ,io11, rn llte :-,--11,l' 111.11 th" Q ul'(•ll:-tlnnd An ( i1dl,•1\ in h r l~mporur,\ t 1111 hn•.\ Ion~·, i p1\•1u lw" nn 111,11 firth JIOOI' Oil i\11.\I 11'1,ld· i n s t tuo A1111 s 1n 1 \"'I ' 1!-. ., p c u c r 11 I :-.111wt•111n rronl llw l1t1llr-lu111\ hi lhf' CII Y l.ll lt1·,\ 11 1111•1L1 1,c1·h npi-. be ..111<1 l11 lw 111 J vorv Lu,•,er a· u t nrr <'tll lll j! till' wider impl1cuur,11 111 1111• phrusc - a pl!u·,· ,·0 111- J> I e I(.' l .v fi Ii II l IIWII \' ff"Otll the world - t I I(' 111Cltlpho r IS rur frunl fll – Llng, Certain it Loi that Oircc·– tor naoul l\lelll,h and hi, collearues do nnt .,ll nll day gloating u\·cr llw :1,·– cu1nulated trea)\urc"f\ en– trusted to their 1·.11·,·: there are ~peel.al exl1ihi– Uons t.o be arra11i;1•d and mounted, There n1·r l11<111tr1~.li front the rn1blic to be :,1- tended to: thrre nr,• educnttouru pro~r:un111r "i to be unctertnkcn: thrrr are U1e m11lllforio11s Jol>1; in routine mulnten:mri" and orge:iisntion 10 be dm e. The gnller.v staff Is very much the 1'el'\llt11L of the citizens whose art collecLi"n It gunrds nnd J>reserves - anrt, us oct•a – slon arises. ndds lo. Acquisit.ion of n new paint.tug or SCl1l1•ture ur other work of art, whelh– er it be through glfl . bequest or purchn!ie. is olwn:vs an evenL ol' ~re:1t interest lo Lile st:orr ""d 1'\1•11 11111l1\· tu till' p 11hlw I 11111 IIIIIP HI IIIIIP .I 1h,/'l\l'lll:1 r IHf(llbll lOI I ftl 1111l!'llfl llll1111: 1111pnrl1tlH'C' 1111~h t hl' pu b llC'l,\' r11..- 1,1,i\NI nn -nr i-1>1111 ulrc r :U'l'l\,ll h lll It W•H1l•l IML- 1•11tly IJ • 1mpr, ,~11Jli• tu l!l!lk•• t li:il U 1ri,:11l:ir p r:h'Lll'C s111rr aN111i-.ll1111t 1-. U ('1}11llllllllll! JJl'CH..'e ..,.,, ll hth lu•cn Uu• ,·u, lvm . lht• rrfor c . 10 arra nt:'-' 1•:id1 year a :-.1u•1·ial ··ate • 1·1•11i A1·c1ui-.lthm•,,'' cx hi – hllinn .a, ;t major di,pla y. '1'111•, ~·rar's slluwlnt,.: I/'\ no'A' 1)1H'll nnd will e ~)ll • ll ltllC Ulll ll tlll.! rnd ot J1111uary - nn appro • p r I a I e sra.c.;on. clun n ~ whwl1 mo~l 11r Lile city 's ~ullt•rlt•!'t Ill'(' 111 l'CCCS:,, IIIHI 111111·k 1n~ Llll!C l>crorc Sl'll au.: Vlll 1111 I tic I!)77 11roi.:nu1111ws 1111rf mnn:,.· ciw~r11~ nrc enjoying ,·a · cations. 1'11c c1isplny makf>!i a hr:n·c :-.howi11g. Not n II 1he acci 1l1,1t,111n~ 111 the lust yc.ir :1rc exlululcd . b11t the select.inn in• dicates nddilions of hl~h r1unlity and is a tributt• to the perriplcucity nnd nrt.lstic sensitivil,y of the director nnd trustees. ft t\lSO sucA:eSt.~. n.s lh,. Q A Cl'• allocnlion or f u n cl s ll'i nnt.oriously mc:o~r• (though, it Is co nceded, somcwlwt ni o I' e generou s thnn heretofore l, tlmt there hns been some hnrd• hrucillcl business ncum<'n ex~rcised in mnkmc: the money co rounct. \\ I BI~ r.1m:i11:: ir1 -.,,1.., ,11111 :q11w:1I, \\ I• 1rnint 111~, hv C',1 1111111- I' , .11-ro, lh h:wl Sl1a1111u11, .I o h n ( ' o h u I' n . Slth.'f' lhwkhu:-. .J uel.,• t'tP,-.:i h, u 111t ( 'lr lllt'lll l\llllwnnl ,HUO II ~ 0(111'1' •, nncl 'l'UIII• tur1•, by l\:1r hu :1 lkJ•• 1,,u1·th , 11,•nry M1111r1• :uuf l.1•11( 0 11 l':1rr, lht• 011t– !->lanrli11J: fr:il11r1• or lhr ~1tu,,· i, .& !-ot!l'il':-t l,y Anne (;r.iham. Tiu ... :-.erir~ ,,r 12 nt ~ IIH.J•,phrrt 11:,11,iinc·, 111 I\ ct1,, r:1c·terlsL1c M,\·lc, c•n– t1Llcd "'l'wt•lvc ~tr,nth. At1:-.trul 1u" t. a very rc– ceu l ncqw51t1on: lhl' url– ist ·. three ycnr~ or work ou 11 wns complelrd onl.v lnNI Allj!ll!tL. Anne Gr!thnm Li; nl~ ready well und tnrournh– ly know11 to Drislmnc nrL I ,vcrs. though her show– Ln~s J1ere ha,·e l>een all too rn rc. I n "Twell·c Months Australia," her skill'i in 1,ni11Lrni.: nnd ctrnwln1-t are a l a peak n11d her ke1:m• n css of perccplion Li; de• velo J>ed t.u a degree al• m ost succcsLing clnin'O• ynnc~: the whole is exe• cutcd 111 whnl catalo~ue notes n re plcnsed to call a " faux nail'" style. However the style may be described, there l, not.h ln ~ ''hrnx" in the work - the artist's hon– esty .Is so lllll)>able a., Lo be embnrrnsslng; as for •·,utif," the srttes:meM is n1crely t1 cover ror su .. 1neme arUstry. A most worthy acquisition,