Queensland Art Gallery Presscuttings Book 8 : Pressclippings, 1977-1981

The Couri e r Nail April 8th , 1978 qlh ~!r~~~~~i2. ~M~~~n ~!f ~i~~nty Al'Rll . l-'11.M SC REE:-.II N<;s A I 0111~1..,(fr t !utl 16S of t,1,ns 011 A r t m A 111nric il' w ,11 h fl !lhown 111 rl1tt Queensl1111d Arr Gallery e• tlto lnllowmp 1i111tts: Monday 10 April Pl'lrt 1 Th• Beginn ing. Su,vev1ng American Art from nre•lustorv to Independence. Part 2 The Hud • on River School to Dada. W•dn•••v 12 April 3 The Twentieth Century 4 lllack Arti•t• of the U,8,A. TuHday 18 April RepeAtes of Part 1 and Part 2 Thur•d•y 20 April Aer,ents of Part 3 and Part 4' Th• •bov• wlll b• aar••n•d twfc• on ••eh dare, ar f2.08 p.m. •nd 1. 10 p .m. WednHday 19 April Two films on the Sculpture of Ernst Barlach 11nd Knthf't Kollwitz will be shown twice et 12. 10 p .m .Rnd at 1.10 p .m . · GALLERY EXHIBITIONS BARLACH/KOI.LWITZ until 23 AJ!rll CONIUfOIIARY AUSIUCIAN DIIAWIIG 11111 JO Apil Christians and tl1e SISTER VPl'UllH:a Brncly, a Pro11•s– . 01· or Engli; h at tlw University ol Western !\us trnlia, hr. llrvp, Urn t our nrtl.sts are 011 r "rnrl,v wnrn inh ,y,. ll' lll:-i°', ;--llh' 1: , ot 1•11nr..,·. ,pe:tl.~ tn,.: OI :t l'I I. I." 111 1•~111 1 1I~· tlw ~a llll' way a !-. \\ I' thll1k nf hll)\lc11I f>l'IJjll\t'C' !lfj(i 111111 ~ Jll'Opl1t·t, !-IIH'I' till I\. :\ t'll\lth•~ oi 111'\ l"II S 1·111\ iw •,t't'II 111 Ill.II\\ Ptl11•r till'· ult\..:,tc al 1·111 ,•:..111 i,,, 11111, l 'J'1•11II\II\' I' 111 pnnu• • , 1111•1' 1'1l 1,, .111)'rnl!' ,,ho 1• n ll\l't'flH'd WIiii tilt• '1111,- 11,111 ~tt"tp,•I II ll'l'lt'1h Ith· 1111dl~l'~l t11Hlill~ lll iHII' f'l'~ – MI" HIH I IH~, \)\ll'J)O'-f' :tfTh u tlf 0\\ 11 Ill\ o h PllJl•nl ltc. 1 111' l'l't'OI I\•,· 111·or1•,11 •\ :\l!fl, :\1'11-h 1'.111 l11• , ,•,•1 .h 111:l 1111• !l''•'llh o l rt'\l•l:i– Tlt11) 11\)1•111111! j)f'ilj)lf•!'i f'\ 11: :11HI ,nhul-. 111 .'l'1'111 ll Ill ll'• \\ 111,•h Iht•\ ,\ flllhl no1 nm · in11lly!,lllll1\M' I ht 11. ol (1)1U.,,• 111•• ,1rl 1-.1 ,·1111 pP1h11•11, II , , :·, 1h 1 I ,IPl'lll l! !llll•'\IL111 l,1,\l 1111 h1111•,•lf ;111,t 1111 r\·,, , \\IHt il))JH1•l'1,tlt 11,lll \1l•'lll ·.,·11 h 111 .. l\(11\: l"lw1 • 1 111 ,• It·•-. pi-11 1 ,1111,, :,,11 , 1 q11.1 lh 111 p11n .n il IH nl '111 :111', '"I' C'lin 11,n Ill , ~•t1•Wl\ . n ,,plll • 11"11 , 1 t1 111 !1,-. 1111.:111., ,,, I •.1111111'11111'11! l!•II \lt' ,1rt:- ,11•1, " ' " ,,t tll" 111111nr ltn•l'. JII ,,-.,, ------------------ 1.~ AChristian Point of View ~ . '· ' ' BY-DEAN GEORGE 11111' c\1:-.JlttMII l._,r l:UIIIIIHl- 1\11 :\ltllt! tlH' Chn:,tiu.n ;:u.,- 1w 1 wl! h l'ial'lly IHIL ) i'l 1H·,,ro1111r111y. 0 "11·:1r \V1hlr ullt't' -.:,HI. ".\l'I I" hlf• M'l'II tl lrt)\l ~ h ,I t<•11q 1,,r11 111,•11!'', T lw .,,•1\ • 1- t1\i1~ or n per ."lonnl t1•111- IH'ru1111•111 1·:111 r\\•1111111-.1 r:tlr ,1:-.p1't'l', 11{ h ll' 11lltl t'ht1 1• 1l w111 111 1lir :.:0•111•1 111 1w. d1 h 1'11:-.11 l\c .md t••ll111~ '\ -·~ .' * 11 r ,ulll)Jk ot 11lc I lll'I\' 1.-. .1n11111.: ~~ ...t(•111 11n bh ;, :,1•,•n l'l'\'1'!111\· ii H l"l'-1)\lllf' :ll lht· t.~tlt'r1i.... 1,rn A1·t ~h l– lt•ry \\Ith 1hr 111:1:,? lllllt' ('J.t p11••\\·c,r lcl \\"nr I I l\nrl:u II ;11111 1, nll\\ll t. , ,hlhlll{'ln 1'11, l'\11'1 1\lll 1 ~lllllll IUll p ; II II .., I t' 1' 1'\ ,I\\ Ill'°'~ i l'"ll\ Hl'U'II (! \ II l1':11111 Ill (I 111 1'1"· 1,1, 11•·r1111111~ ,1 rlt l1 •ll1 !1,! I • I • nl I ru1 1·11111 \ 1, , ,pi t' 1111 11: tlw ,,. ,,. 1 11 , 1 1 , 1,•11 •·I f "l,r 1.;11 , ,p1 t1tl ,. , .II Ill' .·• 1' 11 II ll•· 1111\\ 1 !" II ~d'II':- . f'II• I " ' I' I • t., U I lll'I i"1• ,,.-\1 " ' pn , ' 01 1,,1\ II 1\1' \1,·I t· I h1 I l1 l'I lllh1 · t\lJ :- Wllt'I\ lit• \\U" :\l'l- 1:.l II, r1•:-,dr1wr Al \' le 111\l;l':.I I\' Tlw~ :irf• nut ;+ll 11plllld ....- l lt' \"It'\\ 11\ tll1' :\lll(ll'lt'/1fl " '-P•,:rn•1wt• IH1t :-umehm\ 1lit• pu11 ,•r u11cl 1111'1'1' \\ ll ll \\llldl 1111 :11'1 , 1 ,•,pr1•~..,,.., 111• It\ 111 111\111'1'- H ll'llllll – \1)111111 1 (Jl'i'IU~IUII h \,, \ 1tull' 1111pol't;l11I tl.:11 (' hl'Hl:111'-t 1'01 l'l'l"ll• d \L I ii 1 11' :ll h ,\IHI Jll'l•l t ,'– < •lll;ll\\ 111,1,h "rl 111 111rm .,,}111l,Jf\ Ill• U, l'IIIU~)HI•' lht• l' l'"Jh l'lt•lll'I' lil!rl "' II\', 111\1\ fil• t11•t1 1111'11' ll\\ ll l111Cll• t'– "ta l,riin:,: 111 11\1• 1f'\:J11u n– ..11,p IH l""''I' llh'II' tuit h ~11 ,r! \\ hnl t}h'\ c1,1 , ·11,, llnu...r flf 1-'l'f'N IOII I ('ill'h!l:lll 1'{l:llll 111111\ I~ f' ll· d, 1;, , 0 111'111!.; )II 1,P\Jl \ Ulli1~ Cl1r1 ,t u11 111•111\t•d 111 111" \'l"lrnil :n\ri p,,i hiJ'Hl\11:.! :1r1 , .. 11 I Ill"'' ,1u,1 ,tl ,, r111111'1'· I 11•'1' In IH' !11•!!1 ll''.! l\ 1•1·1 .~mt 111 l l'lt1111p!l:111t I \: 1 • I· ,, 1 111 Ii I 11 1·u1 •'I • ,, • c·,•,111 ., ;\l11 JIii 1':1 11,l\111'~ 1• '1'11" 1'n I I· ll 1111uh., SI P .11 d ,,111 1•111,i,I,• C'hri-.1m11 ' " 1(1I.•· p,11'1 111 ,1•111111.11 II JHI ',\llJ'h. Np Im II ·1 II ~ti-., 1111•. 11:1111'1• .tnti •.:1 nl)l1\1•t- 'l h••, ,ull \1m\.. 11 1 t h ,~ By JEA I Sl"ICLAIR The cu1·rcnt A1>ril exhihition at the Queensland Art Gn ll• cry is an inter~sting rcprcsont ntion of those Australian pai• ntcrs who can prove thnt drawing is tho basic skill of t heir art. ...\rll• 1.'i rt"p r('se11Lccl ln– c:h iclP Ar1h11r Boyd . \Vtl • 11u 111 D u\J r-11. R u .. :- ell 01',\"!'.illll\C, lil'Cll \\"l\llt•h•y , "Hiney Nul1111, ~J I ll'('j" .·n1nn. Mlcl111cl Sh lln- 11011. Uol>crt J un iper. no- ~ e r 1' C 111 11, Chn rlC!- "1 n c: k 111 n n . E r i c 11 ~JcCi1ll'hni;t und L , nurd F'rrnclt. T he exhibition or 00 dm\\'h11,;s by 48 All!-,lrn – lluns was orgnnl~t:tcl hy tlle \Vrsl.crn A USlJ'llti:l ll ArL Oaller.1· ro1· lhC Fcsl l· ,·1,1 of Perth. The deputy director or the Western A11sLr ulinn ArL Gallery. Mr Lou l<le• pnc, nnd Lhc gallrry's curator of pnlnt in 1::s, Mt' Barry Peurcc, t,ru\'cllNI LhroughouL Aus LrUllll lo choose Lile drawings. An exhibit ion catil• logue, mnclc possibln by grant.s lrom t h e Utoh Foundation 1111<1 Dr Hur– old Schonberg, is n fen• Lure or lhc exhibition. IL lrns reproductions of nll works ns well as blo• gr11phlcnl notes on u,e artists. The exhlbltlon will re• mnin on view at the gal– lery Jn the MDI'! Build· Ing, 160 Ann s treet, until arts q11c:-.t10l1::-i of how c ttecll\'cl~ Cl1ris1h111s are using com • 111unlcatlons medi1L fo f' ,. tl n g e I i s m . why tlrn cin11·ches do noL reflecL mo1·e effectively the crea – tirit.y of Ood, why t he con– trnt u! the 111cssu.~c o ften ;-.1•c111!:i :;hal\nw and 11·1·cle– ,·:rn1 . and the role or h.1'H,- 11:lll~ Ill I llr wo1·lcl o r lhe 1H1s 111 i;encrn l. 'l'hr,· will inn t• 1l1r l)Ol'l tllilt~ .. r s l11tring C:\– P•'l'H"lll'f'', \\ 1 I Ii !::itr1l:r– "' ~ I Jt!IH. I Ill' p1·orr-~1tlll!i \ 1·v11lt:lrl\)l11',,\'r .'\ \1:ill'n ll\ll l 1mi:..w gn )IIJI l,;1:--t-1d in Adf'- 1111,!i- ,,·110 ha, r• hron . n , lll'i't•:-:-.lUI Ill l'Ct·Cnl ~·pat'(, Ill thrir 111\t1111u• 111111J:..1 I'~ t lir11111.!h 11\11:,W, * :-:ot 1,ni~• a.re licv • evocl dam·e b:1 nd hut 'the. nr ..,1;:u1ccl 111 htunou r and 11\Wilt::d 1llc:n rr \\ th :, :,11011~ All&l rnllnn f('CI. T ill•\' \\ 01k •,\II \\ It h ~,·uu \J~ 11. lll!!ll •-ch110\~ anrl uni\ t'I'• ..,111,•., \ I \Im pl''llltll.:erl b, 1 hr i,: ••11,1•r :-it••i•I 'Ol')JIH'htlOll " \Vl1, '1:111 n~inc-,'! " , 1 ·t11 '"' ,;•r11 :11HI Lll:-,:u~.1 ~ nrnl 1 h1 n ,, ,11 h•' l\llll)if• tl1)\)Ur– ltil\,I\ 1,ir 1111· ~lH1r11,..:. of .t ill: .. p1n1011-. :u 1rl ntf - 1111' . Ill tllu ,