The Fourth Asia Pacific Triennial of Contemporary Art

1972 1970 1969 1968 1967 1966 1965 1962 '2nd International Computer Arts Festival', The Kitchen, Mercer Centre, New York, USA (performance) 'Cineprobe: An Evening with Jud Yalkut and Nam June Paik', The Museum of Modern Art, New York, USA 'Vision and Television', Rose Art Gallery, Brandeis University, Waltham, USA 'Happening and Fluxus', Kolnischer Kunstverein, Cologne, Germany 'Electric Art', UCLA Art Galleries, Los Angeles, USA 'TV As A Creative Medium', Howard Wise Gallery, New York, USA 'Cybernetic Serendipity', Institute of Contemporary Art, London, UK; USA 'The Machine: As Seen at the End of the Mechanical Age', The Museum of Modern Art, New York, USA 'Light/Motion/Space', Walker Art Center, Minneapolis, USA 'Kinetic and Programmed Art', Museum of Art, Providence, USA 'Art Turned On', Boston Institute of Contemporary Art, USA 'World Graphic Scores', Minami Gallery, Tokyo, Japan '1st Fluxus International Festival of Very New Music', Wiesbaden, Germany Qualifications, grants & awards 2001 2000 1998 1995 1993 1992 1991 1977 1971 1969 1958 Lifetime Achievement in Contemporary Sculpture Award, International Sculpture Center, USA Geum-Gwan Medal, Government of Korea Order of Merit for Culture The Kyoto Prize, The lnamori Foundation, Japan Ho-Am Prize, Korea Golden Lion, 45th Biennale di Venezia, Italy UNESCO Picasso Medal Kaiserring Prize, Monchehaus Museum fur Moderne Kunst, Germany Will-Grohmann Preis, Akademie der Kunste, Berlin, Germany Solomon R. Guggenheim Fellowship Artist-in-residence, WNET-TV, New York, USA Artist-in-residence, WGBH-TV, Boston, USA Studied at University of Munich, Department of Art History (musicology) 1957-58 Studied composition w ith Wolfgang Fortner at the Musikhochschule Freiburg, Germany 1956- 57 Studied music history with Thrasybulos Georgiades, University of Munich, Germany 1956 Graduated University ofTokyo, Japan (studies in music, art history, philosophy) 142 APT2002 Collections Art Gallery of New South Wales, Sydney, Australia Gallery Hyundai, Seoul, Korea Hirshhorn Museum and Sculpture Garden, Washington DC, USA John Kaldor, Sydney, Australia Museum of Contemporary Art (MOT), Tokyo, Japan National Gallery of Australia, Canberra National Museum of American Art, Washington, DC.USA National Museum of Contemporary Art, Seoul, Korea Queensland Art Gallery, Brisbane, Australia Sonje Museum of Contemporary Art, Kyungju, Korea Stuart Collection, University of California, San Diego, USA Watari-Um Museum of Contemporary Art, Tokyo, Japan Selected bibliography Ashton, Dore. 'Love-making on the moon is four times hard'. Modern Painters, vol.13, no.1, Spring 2000, pp.54-6. Blom, Ina. 'The touch through time: Raoul Hausmann, Nam June Paik and the transmission technologies of the avant-garde'. Leonardo, vol.34, no.3, 2001, pp.209-15. Decker-Phillips, Edith. Paik Video. Barrytown Ltd, Barrytown, NY, 1998. Fargier, Jean-Paul. Nam June Paik. Art Press, Paris, 1989. Goodman, Jonathan. 'TV Buddha, video fish: the worlds of Nam June Paik'. Art AsiaPacific, no.29, 2001, pp.22-4. Hanzal, Carla. 'Traversing the worlds of Nam June Paik'. Sculpture, vol.20, no.5, June 2001, pp.18-23. Herzogenrath, Wulf & Schmidt, Sabine Maria. Nam June Paik: Fluxus, Video. Kunsthalle Bremen, Bremen, 1999. Kernan, Nathan. 'Nam June Paik'. Burlington Magazine, vol.142, no.1167, June 2000, pp.394-6. Kim, Alice. 'Coyotes and wolves: an interview w ith Nam June Paik'. New Art Examiner, vol.28, no.7, April 2001, pp.38-43. Landy, Leigh & von Graevenitz, Antje. "'I make technology ridiculous": the unusual dialectics of Nam June Paik'. Avant Garde, no.7, 1992, pp.79-108. Matzner, Florian (ed.). Nam June Paik: Baroque Laser. Cantz, Ostfildern, 1995. Meairs-Conzen, Ina. Nam June Paik: Beuys Video Wall - Beuys Hat. Werkstudien der Staatsgalerie Stuttgart, Stuttgart: Cantz, 1992. Mellencamp, Patricia. 'The old and the new: Nam June Paik'. Art Journal, vol.54, no.4, Winter 1995, pp.41-7 Morgan, Robert C. 'Global grooving at the Guggenheim: Nam June Paik'. Sculpture, vol.19, no.3, April 2000, pp.26-31. Paik, Nam June & Decker, Edith. (eds). Nam June Paik: Niederschriften eines Kulturnomaden. DuMont, Cologne, 1992. Paik, Nam June, Stooss, Toni & Kellein, Thomas. Nam June Paik: Video Time, Video Space [exhibition catalogue]. H.N. Abrams, New York, 1993. Rhee Jong-soong. 'Portapaik'. Art AsiaPacific, vol.3, no.3, 1996, pp.52-7 Serwer, Jacquelyn D. 'Nam June Paik: technology'. American Art, vol.8, no.2, Spring 1994, pp.87-91. Silver, Kenneth E. 'Nam June Paik: video's body'. Art in America, vol.Bl , no.11, November 1993, pp.100-7 Smith, Walter. 'Nam June Paik's TV Buddha as Buddhist art'. Religion and the Arts, vol.4, no.3, 2000, pp.359-73. The World of Video Art According to Nam June Paik: Harmony of High Technology and Art. National Museum of Contemporary Art, Seoul, 1988. Zurbrugg, Nicholas. 'Nam June Paik: an interview'. Visible Language, vol.29, no.2, Spring 1995, pp.122-37 Nam June Paik Global groove 1973 Still from 28.30 min. colour videotape with stereo sound Purchased 1996 with a special allocation from the Queensland Government Celebrating the Queensland Art Gallery's Centenary 1895-1995 Collection: Queensland Art Gallery