The Fourth Asia Pacific Triennial of Contemporary Art

QUEENSLAND ART GALLERY STAFF Project Development & Direction Doug Hall. Director Lynne Seear. Assistant Director, Curatorial & Collection Development Andrew Clark, Assistant Director, Public Programs Curatorial Team Doug Hall, Director Suhanya Raffel. Head of Asian Art Rhana Devenport, Senior Project Officer, APT Julie Ewington, Head of Australian Art Anne Kirker, Head of International Art Michael Beckmann. Head of Access, Education & Regional Services for Kids' APT Maud Page, Associate Curator !Contemporary Pacific Art) for Pasifika Divas Since the inception of the Asia-Pacific Triennial project in 1993, Queensland Art Gallery staff have contributed in outstanding ways to the Triennial's success and have offered consistently high levels of support, innovation, energy, diligence and professionalism to bring each of these major events to fruition.This support is most gratefully acknowledged by the Board of Trustees and Director. The following staff are especially thanked for their leadership and contributions towards the presentation of APT 2002. Catalogue Judy Gunning, Head of Information & Publishing Services Sonia Lepelaar, Publications Assistant (to May 2002) Kylie Timmins, Intern Conservation Anne Carter, Paintings Conservator Amanda Pagliarino, Objects Conservator Samantha Shellard, Works on Paper Conservator Nick Cosgrove, Conservation Assistant Design Elliott Murray, Head of Design Chris Starr, Designer Emma Scotti, Assistant Designer Fiona Lee, Intern Education Programs Michael Beckmann, Head of Access, Education & Regional Services David Burnett, Education Officer Sally Butler, Volunteer Guide Coordinator Julie Walsh, Access & Youth Programs Officer Sarah Stratton, Public Programs Officer Melinda Sirnshauser, Education Liason Officer Melina Mallas, Intern Exhibition Design and Installation Don Heron, Head of Exhibitions & Display Christina Waterson, Exhibitions Assistant Kerrie Campbell, Architectural Assistant Warren Watson, Artisan Mervyn Brehmer, Workshop Coordinator Noel Bigalla, Gallery Painter John Marshall, Apprentice Cabinet Maker Tony Albert, Intern Indigenous Art Avril Quaill, Associate Curator (Indigenous Australian Art) Management and Operations Alan Wilson, Assistant Director, Management & Operations Linda Mehan. Manager, Retail & Commercial Operations Graeme Archibald, Protection & Services Coordinator Project Support Robyn Ziebell, Project Support, APT Zoe Butt. Intern Promotions and Events Shirley Powell, Promotions Manager Celestine Doyle, Consultant Julie Price, Promotions Officer (to July 20021 Sarah Stutchbury, Corporate Communications Officer Amelia Gundelach, Communications Coordinator Kelly Nichols, Events Coordinator Simone Kelaart, Marketing Assistant Registration Andrew Dudley, Head of Registration Sponsorship Anna Marsden, Development Officer Website Matthew Kassay, Web & Multimedia Project Officer Thom Saunders, Consultant Designer Alison Lee, Research Assistant The Gallery also wishes to thank the following staff for their contribution to the project: Peter Beiers, Senior Book Buyer Desley Bischoff, Project Officer Sarah Bricknell, Intern Helen Bovey, Protection & Services Team Leader Len Clarke, Protection & Services Team Leader Colin Diachkoff, Senior Executive Officer Naomi Flatt, Research Assistant Ray Fulton, Photographer Amanda Gardner. Library Technician Caroline Geesu, Intern Natasha Harth, Intern Heather Kelly, Executive Assistant Belinda Lewis, Protection & Services Team Leader Pat McDonald, Assistant Director's Administrative Assistant John Massy, Audience Development Manager Cathy Pemble-Smith, Librarian Protection & Services Officers Krystle Sutherland, Intern Paul Whitley, Protection & Services Team Leader Ben Wickes, Audio Visual Project Officer Jacklyn Young, Librarian Volunteers The Gallery wishes to especially thank the many volunteers who have given their time and expertise to assist the realisation of the APT 2002 project. Special thanks are given to those volunteers who contributed to the Pasifika Divas event and also to the students and staff from the Queensland College of Art, Griffith University, w ho assisted in the realisation of the New MediaWorkshops and in the art work of Michael M ing Hong Lin. 155