The Sixth Asia Pacific Triennial of Contemporary Art

219 Ho Tzu Nyen Singapore b.1976 Zarathustra: A Film for Everyone and No One 2009 High-definition digital video, single channel, colour, sound, 24:30 minutes, ed. of 3 / Commissioned for APT6 / Supported by Osage Gallery, The Puttnam School of Film and the Institute of Contemporary Arts Singapore, LASALLE College of the Arts / An initiative of the National Arts Council’s Arts Creation Fund / Courtesy: The artist and Tzulogical Films Emre Hüner Turkey b.1977 Panoptikon 2005 Digital hand-drawn animation, single channel, continuous loop, colour, sound, 11:18 minutes, ed. of 5 / Courtesy: The artist and Rodeo, Istanbul Raafat Ishak Egypt/Australia b.1967 Untitled (from ‘Emergencies, Accidents and Congratulations’ series) 2009 Synthetic polymer paint on MDF / 20 panels: 60 x 42cm (each) / Courtesy: The artist Untitled 2009 Applied vinyl / 390 x 293.5cm / Site-specific work for APT6 / Courtesy: The artist Runa Islam Bangladesh/United Kingdom b.1970 The Restless Subject 2008 16mm film and CD wild tracks, colour, sound, 6:42 minutes and Tobias Putrih Slovenia, b.1972 For The Restless Subject 2008 Plywood / 343 x 350 x 460cm / Courtesy: The artists and White Cube, London First Day of Spring 2005 16mm film, colour, sound, 7:00 minutes / Courtesy: The artist and White Cube, London Ayaz Jokhio Pakistan b.1978 a thousand doors and windows too… 2009 MDF, wood, aluminium, paint / 600 x 600 x 600cm / Site-specific work for APT6 / Courtesy: The artist Takeshi Kitano Japan b.1947 Sono Otoko, Kyobo ni Tsuki (Violent Cop) 1989 35mm, colour, mono, 103 minutes, Japan, Japanese (English subtitles) / Director: Takeshi Kitano / Script: Hisashi Nozawa, Takeshi Kitano / Cinematographer: Yasushi Sasakibara / Editor: Nobutake Kamiya / Print source: Japan Foundation / Rights: Shochiku 3-4 x Jugatsu (Boiling Point) 1990 35mm, colour, mono, 96 minutes, Japan, Japanese (English subtitles) / Director/Script: Takeshi Kitano / Cinematographer: Katsumi Yanagishima / Editor: Toshio Taniguchi / Print source: Japan Foundation / Rights: Shochiku Ano Natsu, Ichiban Shizukana Umi (A Scene at the Sea) 1991 35mm, colour, mono, 101 minutes, Japan, Japanese (English subtitles) / Director/Script/Editor: Takeshi Kitano / Cinematographer: Katsumi Yanagishima / Print source/rights: Celluloid Dreams Sonachine (Sonatine) 1993 35mm, colour, Dolby, 94 minutes, Japan, Japanese (English subtitles) / Director/Script/Editor: Takeshi Kitano / Cinematographer: Katsumi Yanagishima / Print source: Japan Foundation / Rights: Shochiku Minnâ-yatteruka (Getting Any?) 1995 35mm, colour, Dolby, 108 minutes, Japan, Japanese (English subtitles) / Director/Script: Takeshi Kitano / Cinematographer: Katsumi Yanagishima / Editors: Takeshi Kitano, Yoshinori Oota / Print source/rights: Celluloid Dreams Kizzu Ritan (Kids Return) 1996 35mm, colour, Dolby, 107 minutes, Japan, Japanese (English subtitles) / Director/Script/Editor: Takeshi Kitano / Cinematographer: Katsumi Yanagishima / Print source/rights: Celluloid Dreams Hana-bi (Fireworks) 1997 35mm, colour, Dolby, 103 minutes, Japan, Japanese (English subtitles) / Director/Script: Takeshi Kitano / Cinematographer: Hideo Yamamoto / Editors: Takeshi Kitano, Yoshinori Oota / Print source/rights: Celluloid Dreams Kikujiro no Natsu (Kikujiro) 1999 35mm, colour, Dolby, 121 minutes, Japan, Japanese (English subtitles) / Director/Script: Takeshi Kitano / Cinematographer: Katsumi Yanagishima / Editors: Takeshi Kitano, Yoshinori Oota / Print source: Celluloid Dreams / Rights: Sony Pictures Brother 2000 35mm, colour, Dolby Digital, 114 minutes, USA/UK/Japan, English/ Japanese/Italian/Spanish (English subtitles) / Director/Script: Takeshi Kitano / Cinematographer: Katsumi Yanagishima / Editors: Takeshi Kitano, Yoshinori Oota / Print source/rights: Hopscotch Films Dooruzu (Dolls) 2002 35mm, colour, Dolby Digital, 114 minutes, Japan, Japanese (English subtitles) / Director/Script/Editor: Takeshi Kitano / Cinematographer: Katsumi Yanagishima / Print source/ rights: Celluloid Dreams Zatôichi (Zatoichi) 2003 35mm, colour, Dolby Digital, 116 minutes, Japan, Japanese (English subtitles) / Director/Script: Takeshi Kitano / Based on the story by Kan Shimosawa / Cinematographer: Katsumi Yanagishima / Editors: Takeshi Kitano, Yoshinori Oota / Print source/rights: Buena Vista International Takeshis’ 2005 35mm, colour, Dolby Digital, 108 minutes, Japan, Japanese (English subtitles) / Director/Script: Takeshi Kitano / Cinematographer: Katsumi Yanagishima / Editors: Takeshi Kitano, Yoshinori Oota / Print source: Celluloid Dreams / Rights: Madman Entertainment Kantoku: Banzai! (Glory to the Filmmaker!) 2007 35mm, colour and black and white, Dolby Digital, 108 minutes, Japan, Japanese (English subtitles) / Director/Script: Takeshi Kitano / Cinematographer: Katsumi Yanagishima / Editors: Takeshi Kitano, Yoshinori Oota / Print source/rights: Celluloid Dreams Akiresu to Kame (Achilles and the Tortoise) 2008 35mm, colour, Dolby Digital, 119 minutes, Japan, Japanese (English subtitles) / Director/Script/Editor: Takeshi Kitano / Cinematographer: Katsumi Yanagishima / Print source/ rights: Celluloid Dreams Ang Lee Taiwan/United States b.1954 Xi Yan (The Wedding Banquet) 1993 35mm, colour, mono, 106 minutes, Taiwan/USA, Mandarin/English (English subtitles) / Director: Ang Lee / Script: Ang Lee, Neil Peng, James Schamus / Cinematographer: Jong Lin / Editor: Tim Squyres / Print source: Chinese Taipei Film Archive / Rights: Central Motion Picture Corporation Yin Shi Nan Nu (Eat Drink Man Woman) 1994 35mm, colour, Dolby, 123 minutes, Taiwan/USA, Mandarin (English subtitles) / Director: Ang Lee / Script: Ang Lee, James Schamus, Hui-Ling Wang / Cinematographer: Jong Lin / Editor: Tim Squyres / Print source: Chinese Taipei Film Archive / Rights: Central Motion Picture Corporation Sense and Sensibility 1995 35mm, colour, Dolby SR, 136 minutes, USA/UK, English/French (English subtitles) / Director: Ang Lee / Script: Emma Thompson / Based on the story by Jane Austen / Cinematographer: Michael Coulter / Editor: Tim Squyres / Print source/ rights: Amalgamated Films The Ice Storm 1997 35mm, colour, Dolby Digital, 112 minutes, USA, English / Director: Ang Lee / Script: James Schamus / Based on the story by Rick Moody / Cinematographer: Frederick Elmes / Editor: Tim Squyres / Print source: Tamasa Distribution / Rights: Roadshow Films Wo Hu Cang Long (Crouching Tiger, Hidden Dragon) 2000 35mm, colour, Dolby Digital, 120 minutes, Taiwan/Hong Kong/USA/ China, Mandarin (English subtitles) / Director: Ang Lee / Script: Hui-Ling Wang, James Schamus, Kuo Jung Tsai / Based on the story by Du Lu Wang / Cinematographer: Peter Pau / Editor: Tim Squyres / Print source/rights: Amalgamated Films Brokeback Mountain 2005 35mm, colour, Dolby Digital, 134 minutes, Canada/USA, English / Director: Ang Lee / Script: Larry McMurtry, Diana Ossana / Based on the story by Annie Proulx / Cinematographer: Rodrigo Prieto / Editors: Geraldine Peroni, Dylan Tichenor / Print source/rights: Roadshow Films