The Seventh Asia Pacific Triennial of Contemporary Art

CATALOGUE OF WORKS MOHAMMED QASIM ASHFAQ United Kingdom b.1982 HOW DIRTY IS YOUR GLOSSY BLACK IV 2012 Aluminium foil tape / Installed dimensions variable HOW DIRTY IS YOUR GLOSSY BLACK V 2012 Aluminium foil tape / Installed dimensions variable Site-specific works for APT7 / Courtesy: The artist and Jhaveri Contemporary, Mumbai ASMAT Asmat people, Papua, Indonesia BEN AFEX b.unknown Basim Dato ( Spirit mask ) 2011 Shredded sago leaf, knotted fum (paper mulberry bark), stick, white cockatoo feathers, natural pigments (lime, ochre), rattan, shell, pandanus, Job’s tears seeds / 140 x 124 x 10cm (without stick); 190 x 124 x 10cm (with stick) / Purchased 2011. Andrew and Lilian Pedersen Trust / Collection: Queensland Art Gallery AMATUS AHMAK b.unknown Unir Sirau, Mbu Bi jumbo ( Spirit mask ) 2012 ▼ Knotted fum (paper mulberry bark), stick, white cockatoo feathers (discoloured), natural pigments (lime, ochre) / 160 x 44 x 20cm / Purchased 2012. Queensland Art Gallery / Collection: Queensland Art Gallery ANTONIN ARKE b.unknown Basim Bisj pole 2011 Mangrove wood, natural pigments (lime, ochre, charcoal), rattan, Job’s tears and red seeds, shell, cassowary feathers, cockatoo feathers, sago leaves, cane, bamboo leaf / 403 x 120cm / Purchased 2011. Andrew and Lilian Pedersen Trust / Collection: Queensland Art Gallery PRIMUS ISIMIN b.unknown Emari Ducur, Pupis Doroe ( Spirit mask ) 2012 ▼ Rattan, shredded sago leaf, fum (paper mulberry bark), stick, white cockatoo feathers, natural pigments (lime, ochre), cassowary feathers / 166 x 60 x 50cm / Purchased 2012. Queensland Art Gallery / Collection: Queensland Art Gallery Manimar ( Spirit mask ) 2012 ▼ Rattan, soft wood carving, shredded sago leaf, fum (paper mulberry bark), white cockatoo feathers, natural pigments (lime, ochre) / 140 x 98 x 50cm / Purchased 2012. Queensland Art Gallery / Collection: Queensland Art Gallery STEFANUS JAKFU b.unknown Jamasj Wuramon 2012 ▼ Softwood, natural pigments (ochres, lime, charcoal), rattan and cassowary feathers / 600 x 23 x 24cm / Purchased 2012. Queensland Art Gallery / Collection: Queensland Art Gallery NORBERTUS JOKOMEN b.unknown Atsj Bisj pole 2012 ▼ Softwood, natural pigments (ochre, lime, charcoal), shredded sago leaf, rattan / 600 x 30 x 140cm / Purchased 2012. Queensland Art Gallery / Collection: Queensland Art Gallery PAULIS KOMARE b.unknown Basim Dato ( Spirit mask ) 2011 Shredded sago leaf, knotted fum (paper mulberry bark), stick, white cockatoo feathers, natural pigments (lime, ochre, charcoal), wood, Job’s tears seeds / 113 x 118 x 10cm (without stick); 147 x 118 x 10cm (with stick) / Purchased 2011. Andrew and Lilian Pedersen Trust / Collection: Queensland Art Gallery PAULIS POKMAN b.unknown Yawis Bisj pole 2011 Mangrove wood, natural pigments (lime, ochre, charcoal), bamboo leaves, cockatoo feathers / 403 x 150cm / Purchased 2011. Andrew and Lilian Pedersen Trust / Collection: Queensland Art Gallery p.88 YAKOBUS SERAMBI b.unknown Sawa-Er Bi jumbo ( Spirit mask ) 2012 ▼ Rattan, sago palm fronds, fum (paper mulberry bark), stick, white cockatoo feathers, natural pigments (ochre, lime) / 160 x 50 x 20cm / Purchased 2012. Queensland Art Gallery / Collection: Queensland Art Gallery DINISIUS SIRETS b.unknown Atsj Bisj pole 2012 ▼ Softwood, natural pigments (ochre, lime, charcoal), shredded sago leaf, rattan / 600 x 24 x 87cm / Purchased 2012. Queensland Art Gallery / Collection: Queensland Art Gallery UNKNOWN Basim Patung Cerita – Fumeripits myth 2011 Ironwood and natural pigment (lime) / 38 x 96 x 26.5cm / Gift of Tom Asong 2012 / Collection: Queensland Art Gallery RINA BANERJEE India/United States b.1963 From the jungle in lore of the Colonial frontier eager explores compelled by fantasy and fortune savoured oral texts, imagined more held the foreign captive as part of an untidy garden 2009 Steel, dancing bells, fabric, coconut shell, plastic fruit netting, floral picks, light bulb, Hindu ceremony thread, glass beads, wire / 284.4 x 111.7 x 61cm With or without name she was blue and who knew when she would slip into another mood for her understandable unwillingness to do, to speak to, to feel and determine her next move rests in her nest as would a Refugee 2009 Metal structure, feathers, fabric, shells, bells, skull / 176 x 94 x 73cm p.23 A heart of two anchors, take one bird and take one butcher, from ear to ear, its a familiar end yet she was with a wide grin, while meat and medicine poured, even played with the poverty of country, was still an unknown friend! So she withdrew her smile to clear one anchor that was not her faith, the other was my mothers brother, enchanted china, giggled with Africa and strayed to stay in whips of lamb leather, feathers stained, her shells would raise the last anchor human hate 2011 Mosquito net, fish bone, umbrella, artificial horn and pigeon feathers / 231 x 109 x 96.5cm A mad woman, an eternal Eve, a monkey cheated leaped, from limb to limp in open air, curled a mischievous and bulbous melancholy in tail that sailed and with a single cough, a sudden drip, a curtain of bubbles, tears spilled to send land and liquids, fertilize, all fluid migrations leaking abroad and across 2012 Steel structure, plastic horn, fans, 500-watt bulbs, balls, wire and saree cloth / 152.4 x 106.68cm p.93 Courtesy: The artist; Galerie Nathalie Obadia, Paris/ Brussels; Haunch of Venison, London; and Gallery Espace, New Delhi DANIEL BOYD Australia b.1982 Kudjla/Gangalu people QLD/NSW Untitled 2011 Oil and archival glue on linen / 183 x 230cm / Courtesy: The artist and Roslyn Oxley9 Gallery, Sydney Dimensions of works are given in centimetres (cm), height preceding width followed by depth. ▼ Commissioned for APT7 and the Queensland Art Gallery Collection 298