The Seventh Asia Pacific Triennial of Contemporary Art

1 James Clifford, ‘The times of the curator’, Intense Proximity: An Anthology of the Near and the Far [exhibition catalogue], Okwui Enwezor with Melanie Bouteloup, Abdellah Karroum, Emile Renard and Claire Staebler (eds.), Palais de Tokyo, Paris, 2012, p.78. 2 Laleen Jayamanne, ‘Contact lenses: Cinaesthesia in the museum’, After the Event: New Perspectives on Art History , Charles Merewether and John Potts (eds.), Manchester University Press, Manchester, 2010, p.175. 3 Jonathan Mane-Wheoki, ‘The First Asia Pacific Triennial of Contemporary Art 1993’, unpublished papers, QAGOMA Research Library, Brisbane, 1993. 4 Epeli Hua’ofa, We are the Ocean: Selected Works , University of Hawaii Press, Honolulu, 2008, p.67. 5 Caroline Turner, ‘Journey without maps: The Asia Pacific Triennial’ in Beyond the Future: The Third Asia Pacific Triennial of Contemporary Art [exhibition catalogue], Queensland Art Gallery, Brisbane, 1999, p.21. 6 Major exhibitions such as the Artist Regional Exchange (ARX) project in Perth, Australia and the Asian Art Show in Fukuoka, Japan are two examples of this work. 7 See Bruce McLean’s essay on p.44 of this catalogue. 8 Nancy Adajania, ‘Time to restage the world: Theorising a new and complicated sense of solidarity’ in 21st Century: Art in the First Decade [exhibition catalogue], Queensland Art Gallery, Brisbane 2010, p.222. 31