The Seventh Asia Pacific Triennial of Contemporary Art

1 Bernard Smith, European Vision and the South Pacific 1768–1850 , Oxford University Press, London, 1960, p.1. 2 Okwui Enwezor, ‘The black box’, Documenta11_Platform5: Exhibition [exhibition catalogue], Hatje Cantz, Ostfildern, 2002, p.44. 3 Kwame Anthony Appiah, Cosmopolitanism: Ethics in a World of Strangers , WW Norton, New York, 2006, p.xix. 4 Nikos Papastergiadis, Cosmopolitanism and Culture , Polity, Cambridge, UK, 2012, p.112. 5 Jan Verwoert, ‘The curious case of biennial art’, in Elena Filipovic, Marieke van Hal and Solveig Ovstebo, The Biennial Reader , Bergen Kunsthall, Bergen/Hatje Cantz, Ostfildern, 2010, p.197. 6 Slavs and Tatars, interview in this volume, p.249. 7 See for example Hal Foster, ‘An archival impulse’, October , Fall 2004, no.110, pp.3–22; Charles Merewether (ed.), The Archive , MIT Press, Cambridge, MA, 2006; and Okwui Enwezor, Archive Fever: Uses of the Document in Contemporary Art [exhibition catalogue], Steidl ICP, New York, 2008. 8 Dayanita Singh, in conversation with Emilia Terracciano, in ‘Monuments of knowledge: A Q&A with Dayanita Singh’, Modern Painters , July/August 2012, p.59. 9 The Propeller Group, interview in this volume. p.180. 10 Ian McLean, ‘How Aborigines invented the idea of contemporary art’, in McLean (ed.), How Aborigines Invented the Idea of Contemporary Art , Institute of Modern Art, Brisbane/Power Publications, Sydney, 2011, p.340. 11 David Turnbull, ‘Cook and Tupaia, a tale of cartographic ‘ méconnaissance ’ in Margarette Lincoln (ed.), Science and Exploration in the Pacific: European Voyages to the Southern Oceans in the Eighteenth Century , Boydell Press/National Maritime Museum, London, 1998, p.131. See also the text for the exhibition ‘The Transit of Venus’, which featured Boyd’s painting, held at Tin Sheds Gallery, Sydney, 24 May – 23 June 2012, <http://tinsheds.wordpress.com/ 2012/05/09/the-transit-of-venus-an-exhibition-with-daniel-boyd- opens-24th-may-6pm/>, viewed September 2012. 37