The Ninth Asia Pacific Triennial of Contemporary Art

GREGORY DAUSI MOAH Solos language group Autonomous Region of Bougainville 1911–88 (Man with Upe) 1972 Pen and fibre tipped pen on paper / 57.5 x 30.4cm (Tshuna and feast) 1972 Pen and fibre tipped pen on paper / 30.5 x 75cm Private collection of Marilyn Frances Havini GREGORY DAUSI MOAH ARTIST BOB MILLER PHOTOGRAPHER Australia b.1953 Tsuhana (Chiefs meeting house) 1977 Silver gelatin print (vinyl) / Installed dimensions variable / Courtesy: Bob Miller MOCHU India b.1983 Cool Memories of Remote Gods 2017 (from ‘Machinic Elixir – Improvisation Two’ series 2016–ongoing) Single-channel digital video projection, 16:9, 14:48 minutes, colour, sound / Commissioned by Sharjah Art Foundation – SB 13, 2017 / Courtesy: The artist YUKO MOHRI Japan b.1980 Breath or Echo 2017 Modified pianos, street light, light bulbs, wood, electric motor, paper, iron, ceramic insulators, concrete, cables and magnets / Installed dimensions variable / Purchased with funds from Tim Fairfax ac through the Queensland Art Gallery | Gallery of Modern Art Foundation 2018 / Collection: Queensland Art Gallery VINCENT NAMATJIRA Western Arrernte people Australia b.1983 ‘Prime Ministers’ series 2016 Synthetic polymer paint on canvas / 7 panels: 91 x 67cm (each) / The van Aanholt Family Collection ‘The Richest’ series 2016 Synthetic polymer paint on canvas / 7 panels: 91 x 67cm (each) / Courtesy: The artist, Indulkana Community and This is No Fantasy, Melbourne ‘Seven Leaders’ series 2016 Synthetic polymer paint on canvas / 7 panels: 91 x 67cm (each) / Arthur Roe Collection, Melbourne NGUY N TRINH THI Vietnam b.1973 Fourth Cinema 2018 Single-channel video, 57 minutes, colour, sound / Courtesy: The artist ANNE NOBLE Aotearoa New Zealand b.1954 Museum: For a time when the bee no longer exists Comprising: Dead Bee Portrait #1 , # 2, #3, #7, #11, #14 2015–16 Pigment on paper / 91.5 x 115cm (each) Eidolon (II) #3 2017 3D resin print / 12 x 10 x 10cm From ‘UMBRA’ series: Bruissement #9, #11, #12, #14, #16–18 2015–17 Pigment on paper / 280 x 97cm (each) Reverie 2016 Single-channel video, 8:55 minutes, sound Conversatio: A cabinet of wonder 2018 Photographs, wooden cabinet, metal, glass, sound, scent, patterned perspex, colony of bees / 190 x 70 x 170cm Courtesy: The artist and Two Rooms, Auckland ADITYA NOVALI Indonesia b.1978 The Wall: Asian Un(real) Estate Project 2018 Plastic, cast, steel, zinc, brass, copper, wood, wooden board, fabric, LED light with adaptor, paint, cable, resin / 180 x 440 x 25cm / Purchased with funds from Tim Fairfax ac through the Queensland Art Gallery | Gallery of Modern Art Foundation 2018 / Collection: Queensland Art Gallery ELIA NURVISTA Indonesia b.1983 Sucker Zucker 2018 10 sculptures (isomalt, food colouring and bio resin) and mural / Installed dimensions variable / Courtesy: The artist / Commissioned for APT9 SHINRO OHTAKE Japan b.1955 Time Memory / Nairobi 2014–16 Oil, ink, pencil, ballpoint pen, acrylic urethane resin, tar, red iron oxide, glue, packing tape, cellophane tape, cotton yarn, printed matter, cheesecloth, Japanese paper, packing paper, wrapping paper, wallpaper, oil paper, silver paper, paper, tissue paper and cardboard on wooden panel / 176 x 159 x 4.5cm / Taguchi Art Collection, Tokyo Time Memory / Feedback 2015 Oil, acrylic, colourant, gouache, copperplate ink, coloured ink, sumi, pencil, printed matter, photographs, photographic film, transparency film, cellophane tape, aluminium foil tape, paper, cardboard, rice paper, tracing paper, Japanese paper, wallpaper, stamps, newspaper, cotton cloth, hemp cloth, cheesecloth, cotton yarn, felt, balsa wood, paintbrush, pearls, oil paint tube, guitar strings, iron wire, resin, glue, wiring plug, wiring cable, iron spring, vinyl records, cassette tape, turntable, record playback cartridge, rotation motor, daily time switch: OMRON/H5L-A, stainless steel and metal / 95.5 x 41.5 x 42cm / Courtesy: The artist and Take Ninagawa, Tokyo Oku-Kei 13 2017 Oil, acrylic, ink, coloured ink, colour powder, printed matter, photograph, ink-jet print, silk screen print, hemp cloth, cotton cloth, synthetic leather, cheesecloth, silk thread, cotton yarn, adhesive cellophane tape, packing tape, metal, lead, sponge, lichen, plastic, plastic sheet, balsa wood, packing paper, thin paper, Japanese paper, newspaper, wallpaper and paper in custom frame / 153 x 133 x 9.2cm / Courtesy: The artist and Take Ninagawa, Tokyo / Proposed for the Queensland Art Gallery Collection Oku-Kei 14 2018 Oil, acrylic, ink, coloured ink, colour powder, printed matter, photograph, ink-jet print, silk screen print, hemp cloth, cotton cloth, synthetic leather, cheesecloth, silk thread, cotton yarn, adhesive cellophane tape, packing tape, metal, lead, sponge, lichen, plastic, plastic sheet, balsa wood, packing paper, thin paper, Japanese paper, newspaper, wallpaper and paper in custom frame / 153 x 133 x 9.2cm / Courtesy: The artist and Take Ninagawa, Tokyo Oku-Kei 15 2018 Oil, acrylic, acrylic gouache, ink, coloured ink, dye, colour powder, photograph, polaroid film, colour photocopy, ink-jet print, silk screen print, printed matter, hemp cloth, cotton cloth, cheesecloth, silk thread, cotton yarn, adhesive cellophane tape, packing tape, aluminium tape, urethane resin, sponge, lichen, plastic, balsa wood, cushioning material made of paper, fusuma paper, wallpaper, packing paper, thin paper, paraffin paper, Japanese paper and paper in custom frame / 153 x 133 x 9.2cm / Private Collection Time Memory 30 2018 Oil, ink, water-based acrylic varnish, oil-based varnish, tar, screen print, printed matter, cheesecloth, cotton yarn, Japanese paper string, Japanese paper, paper, wrapping paper, cardboard, rice paper, iron and iron rust on custom wooden board / 200 x 150 x 10cm / Courtesy: The artist and Take Ninagawa, Tokyo