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APT3 Audience

Survey: Summary

of Results

Over97%enjo~dtheexhibition.

Almost 30% attended APT3 more

thantwice.

Over

77%

were

very

likely or

extremely likely to recommend

the

APT

to others.

Over

76% considered the new

technology aspects ofAPT3 were

important.

36%ofvisitorsparticipated in

the Kids'APT and 99%thoughtit

was a good inclusion.

57% lived in Brisbane, 12% were

from regional Queensland, 15%

from interstate and 16%from

overseas.

98.5%believed

it

important for

theGallerytoexhibitcontemporary

art of the Asia-Pacific.

Critics' Comments

One of the hottest contemporary

arteventsaround.Withthe

Triennial, Queensland Art Gallery

hasreconceiveditselfasa

museumforthe21stcentury.

... ThisTriennialisabouthighly

creative,sometimescombustible,

WcffSOfsurvivingthe present.

Nicholas Jose,

'Art

to the Power

of

Three', The

Bulletin,

1

Sept.

1999

Years ago the Queensland Art

Gallery came up with a concept

whichwastomaterialiseintothe

mostimportantartisticeventinthis

partoftheworld.ltwascalledthe

Asia-Pacific Triennial of

ContemporaryArtand itbecame

the ultimate showcase for artists in

the region to get together every

three years and display their work

and share cultural experiences.

The Virtual Triennial not only

expandsthescopeforthe

exhibition,butallowsimmediate

onlineparticipationbyaudiences

aroundtheworld.Thismakesthe

Asia-Pacific Triennial a truly global

event

Chotlmont Yonrum,

Bangkok

Post,

6 Jan. 2000

Thisisoneofthesassiestfestivals

ofseriousartontheworldcultural

calendar ... Formany,APTcan lay

claimtobeingAustralia'smost

genuinely international art

exhibition.

Bruce James, The Sydney

Morning Herald,

4 May 1999

APT3 is a truly global, multicultural

event from our region that tells us

storiesaboutourregionwhile

entertaining us on agrand scale.

TheAPT3 seems to be something

ofatriumphofthehumanspirit –

abovepolitics,ideologyand

geography.

Phil Brown, 'Building Bridges',

Brisbane News,

Sept. 1999

ltisavisual,intellectualand

emotional rollercoaster. ...Universal

experiencesareofferedupfor

contemptation,butnotinatrite

way ... Weseereinventionof

traditions,meaningfuldialogues

aboutpoliticsorthepersonal,life

anddeathissues,andinteraction

with communities ... In nine years

theTriennialhascreatedadynamic

interchangeofideas,experimentation

andmomentum ...Thereislittle

doubt that this is Australia's best

contemporary exhibition.

Louise Martin-Chew,

The

Australian,

18 Sept. 1999

Here isa great agglomeration of

art,whichbreatheshumour,

compassion,outrageandcalmin

equalmeasure.lcouldspenddays

wandering happily among its

umpteenexhibits. lthoughtfora

moment I was dreaming.

GIies Auty,

The Australian,

25

Sept.1999

Whileinstallations,performance

art,andsculptureprovidesomeof

themostcolourfulandpoignant

momentsoftheTriennial,themore

traditional mediums of painting,

works on paper and photography

also contribute to the prevailing

aura of delight being experienced

bymanyvisitorstothisthesison

thedynamicandchangingnature

ofculturesandsocietiesinthe

Asia-PaClfic region.

Roger Taylor,

AsianArt News,

Nov. / Dec. 1999

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